Once in a while an opera video comes my way that’s so bonkers that I hardly know how to describe it. Emma Dante’s production of Prokofiev’s The Fiery Angel; recorded at Teatro dell’opera di Roma in 2019 would be a candidate for the most bonkers of all!
Britten’s Rape of Lucretia, which premiered at Glyndebourne in 1946, is an interesting work in a number of ways. Musically it marks a distinct break from Peter Grimes and anticipates the later operas in a number of significant ways. It’s written for much lighter forces than Grimes; string quintet, wind quintet plus harp, percussion and piano and there’s no chorus (in the conventional sense). It’s also not a “numbers” piece. There are no set pieces here. The orchestral writing is spare and somewhat dissonant with that absolute clarity that is so characteristic of Britten. Sometimes this almost distracts from the drama on stage.