Looking ahead to June

June is shaping up to busier than one might expect.  But first here’s one last announcement for May.  On the 22nd B-Exalted have a choral concert at the Church of St. Mary Magdalene at 8pm. Soloists are Dallas Chorley, soprano; Rebecca Gray, alto; Charles Davidson and David Walsh, tenors, and Janaka Welihinda, bass.  More details here.

And so to June itself.  There are two items of interest on June 1st.  At Hart House Theatre at 2pm there’s a performance of Charlotte: A Tri-Coloured Play with Music before it leaves for a tour of Ukraine, the Czech Republic and Israel.  I’m curious to see how it’s developed since we saw a version that was still rather WIP in June 2017.  Later, at 8pm at St. Thomas Anglican Church there’s the latest in the Confluence Series.  This one is titled At the River and features, among others, Larry Beckwith, Dylan Bell, Ian Cusson, James Meade, Marion Newman, Patricia O’Callaghan, Suba Sankaran, Jacqueline Teh and Giles Tomkins.  This has become a “don’t miss” series.

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Pandora; an “out of the box” opera/ballet

FAWN_spring_INSTA_v003FAWN Chamber Creative and its artistic director Amanda Smith see themselves as pioneers.  They champion inter-disciplinary works that don’t fit easily into any taxonomy of music, theatre or dance styles.  Their latest venture; Pandora, an “opera/ballet” on a classical theme, might seem straight from the court of Louis XIV but Lully likely wouldn’t have scored it for drums, a piano, an electric guitar, a cello, a bassoon and electronics.  The Sun King would likely also be somewhat taken aback by Jenn Nichol’s choreography; her long association with Opera Atelier notwithstanding.

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Fourth Annual Toronto Bach Festival

bachtbfThe fourth annual Toronto Bach Festival runs May 24th to 26th.  There are four concerts and a lecture.  Here’s the line up:

Friday, May 24th at 8pm – Brandenburg Five

The program includes two cantatas: the early Tritt auf die Glaubensbahn, and Du wahrer Gott und Davids Sohn, plus Julia Wedman as soloist in Bach’s Concerto in A minor for violin. A brilliant night of illuminating music.  Soloists for the cantatas are Hélène Brunet, Daniel Taylor, Nick Veltmeyer and Joel Allison.  John Abberger directs the Toronto Bach Festival Orchestra.

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How can I sing to descendants I will never have?

The header is a line from Yvette Nolan’s libretto for Shanawdithit; the work she is creating with composer Dean Burry for Tapestry Opera and Opera on the Avalon, which tells the story of the last survivor of the Beothuk people.  I sat down with them on Friday to talk about how the work has progressed since I saw an incomplete version in workshop last October.  The line really does get to the heart of the creative process that addresses the issues I raised in my review of the workshop (i.e. how we remember and tell stories) and this line, and it’s accompanying music, have become a kind of leitmotiv for the emerging work.

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Something old, something new

tap40There are familiar elements and some less familiar ones in Tapestry’s announcement of their 40th anniversary season.  Tap:Ex, Songbook and the LibLab are all there and there are also four new commissions.  The innovation lies in the fact that the LibLab will be a bilingual collaboration with Opéra de Montréal and in the return of two previously performed works which, I think, is a first for the company.

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May listings

Mayday-1So May Day greetings and hello again.  And here are some things you might care to see this month during your eight hours for “what you will”. It’s a bit belated for reasons previously announced but it’s here and I’m back.

Tonight at Lula Lounge at 7pm Tongue in Cheek productions have Democracy in Action.  Several noted singers (Krisztina Szabo, Julie Nesrallah, Natalya Gennadi, Teiya Kasahara, Asitha Tennekoon, Romulo Delgado, Alexander Hajek and Stephen Hegedus) will perform pieces based on audience voting.

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COC to relocate to Frankfurt

Following a decade of declining ticket sales and revenue the Canadian Opera Company has decided that the logical step is to go in search of a new audience.  As General Director Alexander Neef puts it “We’ve tried everything in the playbook to build a new audience in Toronto; discounts for seniors, discounts for under 30s, community outreach, the lot and nothing has really worked so the board decided that if the audience won’t come to us, we must go to the audience.  So we are moving lock, stock and barrel to Frankfurt.  There’s a great audience there, as well as most of our singers.  Besides it’s not like we will no longer be accessible to our existing audience.  Air Canada has three direct flights per day from Pearson to our new home.”

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Musique 3 Femmes preview

Yesterday’s concert in the RBA was a sneak preview of the material for a longer workshop/performance in the Ernest Balmer Studio on Saturday night.  The five works involved and the background are covered in this post.

We got excerpts from all five works with Jennifer Szeto at the piano and various combinations of Suzanne Rigden, Kristin Hoff and Lindsay Connolly singing.  There were also brief introductions to each piece from the creative teams.  What struck me most was how different the pieces were but how they seemed to reflect regional differences in musical expectations across Canada.  For example, the two works from Quebec both used extended/prepared piano with a bunch of extended vocal techniques in Margareta Jeric’s Suites d’une ville morte.  Laurence Jobidon’s L’hiver attend beaucoup de moi was perhaps more conventionally lyrical but it wasn’t a sound world one hears much in Toronto (at least in opera).

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Suzanne Rigden performing in the Canadian Opera Company’s Free Concert Series in the Richard Bradshaw Amphitheatre

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Soundstreaming

MFDECatching up here on the news from Soundstreams.

On April 3rd at 6.30pm at Osgoode Hall there’s a “Musical Moot”.  It’s a fundraiser and preview for the Seven Deadly Sins show upcoming (see below).  It features singer/sinners Chloe Charles and Aviva Chernick, Cynthia Dale and Eric Petersen from CBC’s Street Legal plus former mayor (and one time rugby player) David Miller.  Is this even legal?

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April shows

butterfly-square… plus a late March addition…

March 29th and 30th Tapestry are doing the Songbook thing again.  This is the show where an established singer; Jacqueline Woodley this time, works with emerging artists and a pianist (Andrea Grant) plus director Michael Mori to create a show based on Tapestry’s back catalogue.  There are three shows at the Ernest Balmer Studio in the Distillery; Friday at 8pm and Saturday at 4pm and again at 8pm.

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