As you probably now theatres are closed in Ontario until the end of January and, it seems, organisations are taking a very cautious approach to February. It’s not very heroic but given the flakiness of the Ontario government it’s understandable. The COC’s Madama Butterfly is to be an on-line stream and a whole raft of performances at the RCM are postponed or rescheduled. The only confirmed shows of vocal interest at this point that I’m aware of in February are the Stewart Goodyear concert on February 9th and the Opera Atelier All is Love on February 19th and 20th; both at Koerner.
Slim pickings
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There is news. The COC has cancelled “in person” performances of Madama Butterfly. Instead it will be “made available as a free digital presentation to current 2021/2022 COC subscription holders who are continuing to support Canadian opera through the donation, exchange, or credit of tickets.” How that works I have no idea.
The annus horribilis of 2021 seems to be going out with a whimper rather than a bang; at least musically in Toronto. Much of the streamed content on offer consists of repeats which is, I suppose, a holiday tradition. In this category we could include Against the Grain’s Messiah:Complex showing on Youtube and at TIFF and Essential Opera’s December. There’s still some new stuff appearing. Opera Revue have a 
Two interesting and very different news items about the Toronto arts world appeared yesterday. The first is essentially good news. Loose Tea Music Theatre announced the hiring of a General Manager (Tim Crouch), a Director of Marketing (Rochelle Smith) and a Director of Development (Francesco Corsaro). This is a pretty big move for what has been, for as long as I can remember, pretty much a one woman band. Loose Tea is pretty much the only company in town that’s focussed on politically committed music theatre so this could presage some interesting developments. More on this 
The schedule for the Royal Conservatory’s 2022 21C festival has been announced. As usual it’s heavy on premieres and this year showcases the Kronos Quartet. The three things that are likely of most interest to OR readers are:
Saturday’s concert at Koerner Hall featuring Stewart Goodyear and others has been rescheduled for the usual reason. The new date is February 9th next year; same time, same place.
So the latest Toronto organisation to announce a return to “live” is Toronto Operetta Theatre. There are three shows:
Here are a couple more shows I missed one way or another.
As the rest of the world moves to live in-person performance Toronto is still mostly stuck in Covidland. My calendar for the month currently has two in-person shows (both courtesy of the RCM) and three streams. So:
operaramblings 