I was back last night to see Bicycle Opera Project’s Shadowbox again. This time it was in the more intimate, and highly appropriate, setting of a bicycle shop; Curbside Cycle on Bloor Street. Minus the high roof of the Davenport-Perth Community Centre it was much easier to understand the sung text which is pretty important with this show. The show is an interesting concept. It’s still a series of scenes by different composers and librettists but they are linked thematically by the common idea of memory and dramatically by the auction of objects that set up each scene The auctioneer is rather brilliantly played by Chris Enns who, curiously, seemed quite sinister at Davenport-Perth (like something out of a German Expressionist movie perhaps) but seemed quite avuncular close up.
Author Archives: operaramblings
In solidarity with Bicycle Opera Project
The Humidex is in the high 30s today but Bicycle Opera Project had a lunchtime show today and it was the only one I would be able to cycle to so I went. I’m going again tomorrow night so I’ll hold off on the full review until then. Enough for now to say it’s well worth catching if you can. So, this year’s BOP tour has been notorious for its many mechanical problems; broken spokes, jammed pedals, bent wheels and who knows all what else. On the way home today my bike decided on sympathetic action. While negotiating the weird and wonderful passages required to get from the bottom of Roncesvalles to the Martin Goodman two chain links managed to jam themselves between two of the sprockets on the front gear. Fortunately I carry an emergency tool kit but it’s more geared to replacing a tube or tightening a loose nut than unjamming rather solid metal. I did manage to kluge a solution using chain lube and one of the Allen wrenches on a multi-tool but it wasn’t ideal and was accomplished only with even more sweat and a certain amount of blood (and much cursing). I think I’ll take the TTC tomorrow.
Exciting 2015/16 season from Tapestry Opera
The competition to be the most interesting and innovative indie opera company in Toronto is fierce and Tapestry Opera’s season announcement definitely places them as one of the leading contenders. As well as the usual interesting line up of workshops etc there are two brand new fully staged works and a collaboration with a punk band. Details under the cut.
This year’s Tap:Ex is titled Metallurgy and features experimental punk band Fucked Up together with COC regulars Krisztina Szabó and David Pomeroy. This one runs November 19th to 21st at the Ernest Balmer Studio. Details here.
A lunchtime of Mozart, Strauss and Dvořák
So there’s another free (well almost, $5 suggested donation) lunchtime concert series. It’s Music Mondays at The Church of the Holy Trinity in Trinity Square (A most worthwhile institution which has long taken a leading role in the fight for social justice in Toronto and, on top of that, I used to play rugby with a former incumbent). As it happens yesterday saw the last concert of the 2015 season featuring the Canzona Chamber Players, conductor Evan Mitchell, and soprano Rachel Krehm. The Canzonas are a pretty big band, 53 players yesterday, for a chamber group (I guess they have big chambers in Canzona) and could be very loud in the rather resonant church acoustic.
More details from Toronto Operetta Theatre
Subscriptions are now on sale for Toronto Operetta Theatre. The line up has changed from the original spring announcement. There are still three shows but the run of Candide previously announced has been replaced with a single concert performance, with piano accompaniment of Gilbert and Sullivan’s HMS Pinafore. It’s at 3pm on November 1st. The main attraction (pun absolutely intended) is probably Greg Finney as Sir Joseph Porter KCB. There’s also Charlotte Knight as Josephine.
September approaches
It’s almost September which means there may even be stuff to write about soon. Here’s what’s in my calendar so far.
August 31st at 12.15 pm there’s a concert in the Music on Mondays series featuring soprano Rachel Krehm and an orchestra conducted by Evan Mitchell performing Dove sono by Mozart, selections from Strauss Op 27 and Dvorak’s 8th Symphony. It’s at Holy Trinity Church near the Eaton Centre. PWYC suggested $5.
Bicycle Opera Project heading to Toronto
The Bicycle Opera Project’s summer tour is winding down which means they will soon be pedalling into Toronto. There are four shows. Details under the cut.
Running a little late here
Back in January I saw Opera 5’s show Modern (Family) Opera at the Arts and Letters Club. I didn’t review it here because I was covering it for Opera Canada. It seems that there was some breakdown in communication, probably the dodgy email connection at our temporary digs last winter, and it never made it to the mag and so wasn’t printed. It’s a pity as it was a good show and so, belatedly, I’m sticking the review here, for the record, instead.
Dissociative Me
Gounod’s Faust is very French, stuffed with a specifically Catholic religiosity and has all the elements, welcome or not, of 19th century French opera; it’s long, it has ballet, there are interpolated drinking songs etc. Alaina Viau and Markus Kopp’s adaptation Dissociative Me, presented by LooseTEA Music Theatre, is none of these things (OK there’s an interpolated drinking song, Stan Rogers even, but at least it happens in a bar) and it’s all the better for that.
Hunchback Hoffmann
Giancarlo del Monaco’s production of Offenbach’s Les Contes d’Hoffmann recorded in Bilbao in 2006 isn’t nearly as weird as the interviews on the first disk might lead one to expect. It has its moments but in many ways is more “by the book” than the Laurent Pelly production I looked at last week. The interviews talk of a “Sartrian” Hoffmann and a Freudian approach to Antonia. Ok so Hoffmann is portrayed as a hunchback and he’s fairly damaged but he’s basically your standard drunk poet fixated on a woman or women he can’t have. I can’t actually see this dude nailing his hand to a nightclub table with a knife or drowning his cat to prove a point.



