Last night’s Whose Opera is it Anyway? from LooseTEA Theatre featured Alana Viau MCing, Natasha Fransblow on keyboards, Rachel Krehm, Michael York, Gillian Grossman and Amanda Kogan improvving and a thirteen year old kid called Alex (or possibly Alice) stealing the show. The format was the usual. Games where the audience supplies some key element e.g. a place – a launderette and designated cast members turn it into a sketch. Best of the night I think was the “breakfast food” sketch with Michael and Amanda which went from a surprisingly filthy “left over pizza” to “left over pizza backwards” to “left over pizza in the Dark Ages”, mostly in Pig Latin. There was also a very creepy “execution” sketch where Rachel gleefully cut body parts off a recumbent Michael. Do not upset this chick!
There was lots more and of course it’s very silly. That’s the point! But it’s good fun and worth a look. The next edition is at Bad Dog Theatre at 8pm on December 20th.
Here are details on some forthcoming new and/or amended shows. November 17th – 19th Toronto Masque Theatre are performing a double bill of Handel’s Apollo and Daphne featuring Jacqueline Woodley & Geoffrey Sirett performing alongside Montreal dancer Stéphaie Brochard. Larry Beckwith will lead a period instrument orchestra. It’s coupled with Richard Strauss’ Enoch Arden for spoken voice and piano. It will be performed by actor Frank Cox-O’Connell & pianist Angela Park. That one is at the Enoch Turner Schoolhouse at 8pm. Tickets and details here.
Gounod’s Faust is very French, stuffed with a specifically Catholic religiosity and has all the elements, welcome or not, of 19th century French opera; it’s long, it has ballet, there are interpolated drinking songs etc. Alaina Viau and Markus Kopp’s adaptation Dissociative Me, presented by LooseTEA Music Theatre, is none of these things (OK there’s an interpolated drinking song, Stan Rogers even, but at least it happens in a bar) and it’s all the better for that.