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About operaramblings

Toronto based lover of opera, art song, related music and all forms of theatre.

Opera revue again

Back to the Emmet Ray yesterday for another show by Opera Revue.  This time Dani Friesen and Claire Harris were joined by baritone Alexander Hajek which allowed for a three set show and quite a few duets.  I was really struck by how much throwing in some duets makes the whole show seem more operatic.  So what did we get?  There was a lot of Mozart, notably duets from Don Giovanni and The Marriage of Figaro, plus solo arias from both operas.  And, of course, there was Kurt Weill from Dani.  There was at least one Neapolitan songs and several musical theatre numbers (Alex looks very fetching in cat ears) and a guest singing Schumann and probably other stuff I’ve forgotten.  All in all, a suitably varied and satisfying selection.

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Confluence Concerts 2021/22

js-bachConfluence Conerts has announced its 2021/22 season with some details to be firmed up when anyone figures out what the “new normal” actually is.  First up is a presentation of the Bach suites for solo cello in conjunction with the Toronto Bach Festival.  They are being performed at Heliconian Hall and recorded for later, free, Youtube streaming on Confluence’s channel.  There will be some tickets available for the live performance but no details on that yet.  The performances are as follows:

Cello Suites No. 1 in G Major BWV 1007 and No. 3 in C Major BWV 1009
Concert September 22nd at 7pm at the Heliconian Hall
YouTube premiere October 1st
With Winona Zelenka  and Michelle Tang, cello

Cello Suites No.4 in E-flat Major BWV 1010 and No. 6 in D Major BWV 1012
Concert October 21st at 7pm at the Heliconian Hall
YouTube premiere October 29th
With Keiran Campbell, cello and Elinor Frey, violoncello piccolo

Cello Suites No. 2 in D Minor BWV 1008 and No. 5 in C Minor BWV 1011
Concert November 3rd at 7pm at the Heliconian Hall
YouTube premiere November 10th
With Andrew Downing, double bass, and Ryan Davis, viola

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Jedermann

The disc release (Blu-ray and DVD) of Hugo von Hofmannsthal’s Jedermann is actually a 2 for 1.  There’s a recording of a performance of the play from the 2020 Salzburg festival plus a 54 minute “docufiction” film about the history of the festival.

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Date with the Divas volume 2

Date with the Divas volume 2 is the latest Youtube offering from Opera Sustenida (Stephanie DeCiantis – soprano and film diva, Nicole Whitney Dubinsky -soprano, Daniella Theresia – mezzo and tech diva and Suzanne Yeo – piano). It’s the first of their shows that I’ve seen. It’s one of those films where everything is recorded in people’s homes and then patched together into a film and it’s as well done as anything in the genre that I’ve seen. The video editing is really good though some sections that were broadcast “live” during the initial streaming were a bit weird sonically. Fortunately that didn’t affect the music.

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La bulle

It’s not opera yet but I’ll take any live theatre I can get right now.  Last night’s show was a joint presentation by Jamii Esplanade and Théâtre Français de Toronto of David Danzon and
Carolin Lindner’s La bulle.  It’s not an easy show to describe.  There is one character; Pierrot, dressed in the traditional manner and played brilliantly by Danzon.  He inhabits a transparent dome.  Pierrot dreams his dreams wordlessly through mime, drawing, dance and even text.  He finds ways to communicate with the outside world; us, sitting in a 360 degree arrangement around the dome.  There’s music and complex lighting effects.  The show has real emotional depth and is strangely moving.  At times it’s very funny and Danzon’s agility and ability to go through what seem like complete personality changes is rather remarkable.   It’s playing at 8pm every night until September 5th in the courtyard at Berkeley Castle but I’m afraid all performances are sold out.

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Photo credit: Muriel Cavanhac

Lyrical Walküre

The thing that struck me most about the Royal Opera House’s 2018 recording of Wagner’s Die Walküre is how lyrical it is.  It’s not without excitement in the appropriate places, far from it, but there’s such lovely singing.  Nina Stemme’s Brünnhilde is tender and poetic and the combo of Stuart Skelton and Emily Magee as the twin lovers is really good.  Throw in a nuanced Wotan from John Lundgren and a typically elegant performance from Sarah Connolly as Fricka and it’s really a pleasure to listen to.  Ain Anger is not so lyrical as Hunding but it’s a fine menacing performance.  Antonio Pappano and the house orchestra are equally fine.

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Royal Conservatory 2021/22

rcmThe Royal Conservatory of Music has just announced a real live season for 2021/22. Covid restrictions will likely be in place for at least the first part of the season but hopefully will ease up at some point. There’s the usual eclectic mix of classical, vocal, jazz, world music etc so I’ll just cover the classical vocal stuff which is actually pretty exciting.  Let’s go through it chronologically. Continue reading

Met in HD 2021/22

methdThere’s a Met in HD season again with ten shows starting in October.  All shows start at 12.55pm New York time.  Three out of ten performances are 21st century operas which is as surprising as it is welcome.  There are some interesting looking new productions and one or two that fit into a Met formula that doesn’t work for me usually.  And there are two remarkably venerable productions that surely are past their sell by date.  Here are my thoughts on each:

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Recent and upcoming

sitrIt’s been a bit quiet lately but there a couple of live shows and a video that you might want to check out.  None of them are opera really but whatever.  Shakespeare in the Ruff are doing something different this year.  They have a one hour show called Towards Rebirth which explores the themes of Rupture, Resilience, and Rebirth.  It was created in workshop by the actors and so it’s maybe not the most polished theatre you will ever see but it’s quite moving and sometimes very funny.  There are six more shows in Withrow Park at 3pm and 6.30pm Friday through Sunday.  It’s ticketed and PWYC.  Details here.

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COC fall 2021 season

it_never_endAs expected the COC’s fall season, announced today, is all virtual.  Even the RBA concerts will be 5 minute on-line nuggets.  The stuff on the main stage is pretty interesting though.  Here’s the line up (note all dates are “supporter opening night”.  General streaming starts 24 hours later.  All shows are at 7.30pm).:

  • 24th October: Russell Braun and tamara Wilson in concert with the COC Orchestra and Johannes Debus.  Details here.
  • 29th October: Puccini’s Gianni Schicchi.  Amy Lane directs.  Roland Wood sings the man.  More details.
  • 12th November: Juno award winning jazz/folk fusion group Okan perform songs from their latest album.  Details.
  • 26th November: Mozart’s Requiem with Midori Marsh, Marion Newman, Andrew Hadji and Vartan Gabrielan plus the COC orchestra and chorus and Johannes Debus.  More.
  • 17th December: In Winter.  A concert featuring winter themed music including a new piece for solo, chorus and orchestra by Ian Cusson.  Performers include Melody Courage past and present members of the Ensemble Studio and the COC opera and chorus with Johannes Debus.  Details.

I’m a bit disappointed that there’s nothing concrete about a return to live with an audience performance but I’m not surprised.  I just hope the Village Idiot in Chief can get his mind around something like a vaccination passport in time for a post Christmas return.

At least all this content is free and that’s a big plus.