Today’s free concert in the Richard Bradshaw Amphitheatre was given by the University of Toronto’s Opera Program. It was a semi staged assortment of songs and excerpts from operas, operettas and musicals based on the works of Shakespeare with a distinct leaning to the operetta/musical theatre side of things. That’s understandable enough with young singers but it does make the game we all play (at least I do) of trying to guess who the next Jonas Kaufmann or Anna Netrebko is that much harder. Not that I’m very good at it. I’m far more able to predict what a newly bottled Bordeaux will taste like in ten years time than whether the young soprano I’m listening to might go on to sing Siegfried or Turandot at the Met!
Tag Archives: vaughan williams
O Gladsome Light
This review first appeared in the print edition of Opera Canada.
O Gladsome Lightis a collection of sacred songs, hymns and meditations by Ralph Vaughan Williams, Gustav Holst and his pupil Edmund Rubbra. They are performed by various permutations of Lawrence Wiliford, tenor, Stephen Philcox, piano and Marie Bérard and Keith Hamm, respectively Concertmaster and Principal Violist of the COC Orchestra.
A reet canny lad
There was no doubt that the Four Seasons Centre was the place to be at noon today. Few opera fans would willingly miss a free recital by Sir Thomas Allen and I doubt that anyone who attended was disappointed. Perhaps the voice doesn’t have the bloom it had twenty years ago but it’s still exceptionally fine and the craftsmanship and sheer stage presence was little short of amazing. Above all, perhaps, it’s the humanity of the man that shone through for the hour and a bit he entertained us.
English Song
Yesterday’s free concert in the Richard Bradshaw Amphitheatre featured three members of the Ensemble Studio singing 20th century English language songs. The concert opened and closed with Vaughan Williams. Baritone Clarence Frazer gave us five songs from Songs of Travel (texts by Robert Louis Stevenson) and Cameron McPhail sang three songs from The House of Life (texts by Dante Gabriel Rossetti). These are some of my favourites and I must have almost worn out my CD of Thomas Allen singing them (On the Idle Hill of Summer on Virgin Classics). So, I don’t know whether that made me more or less critical but I thoroughly enjoyed both performances. Clarence sang strongly, straightforwardly and with very fine diction while Cam was more overtly emotional. Both approaches worked.


