Tag Archives: toronto operetta theatre

Czardas Princess

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Toronto Operetta Theatre’s New Year’s offering is Imre Kalman’s Czardas Princess.  It’s lively and tuneful and not overly serious being basically a succession of Austro-Hungarian Empire stereotypes.  To whit Prince Somebody von und zu Wherever-Etcetera is in love with a Hungarian cabaret singer with an unpronounceable name from a pig rearing village with an equally dubious moniker when he’s supposed to be marrying his countess cousin.  All the usual s/he loves, s/he loves me not plus parental disapproval play out until a shocking revelation.  So the Prince gets his girl and his cousin gets a Hungarian count (probably a somewhat richer pig farmer) as a consolation prize.  They all live happily ever after, or at least until 1914.

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Upcoming in the New Year

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Here’s some of what January has to offer…

Toronto Operetta Theatre is doing Imre Kalman’s The Czardas Princess over the New Year holiday.  It’s st the Jane Mallett Theatre and there are shows on December 30th and January 2nd, 3rd and 4th.

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Looking forward to December

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‘Tis the season of family holiday shows and Messiahs.  Not that I’m planning to do much of either but here are some shows that you might be interested in…

  • On December 7th, the earliest of the Messiahs.  Toronto Choral Society have a matinée performance at Koerner Hall.  Soloists include Quinn Kelsey and Teresa Tucci .
  • The Ensemble Studio have a noon hour concert on December 9th in the RBA
  • Rogers vs Rogers opens at Crow’s Theatre on December 10th.  This is another adaptation by Michael Heaney of a book about Toronto shenanigans.  He was also responsible for The Masterplan.  Previews are the 2nd to the 9th with the run extending to January 3rd.

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The Mikado revisited

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Toronto Operetta Company’s season opened with a run of a “modified” version of Gilbert and Sullivan’s The Mikado.  It had the by now traditional updates predictably featuring numerous references to Mango Mussolini and the odd dig at Metrolinx but the bigger change, and a sensible one I think, was to peel away the the fake japonerie that must have seemed a bit lame in 1885 and is as intolerable as a “traditional” Madama Butterfly today.

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The Gondoliers

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Toronto Operetta Theatre opened the concluding show of their 2024/25 season at the Jane Mallett Theatre on Friday evening.  It’s Gilbert and Sullivan’s The Gondoliers directed and choreographed by Guillermo Silva-Marin.  It’s pretty decent and, besides, TOT is about the only chance to see G&S in Toronto; whatever one thinks of their approach.  For those who have seen TOT’s G&S before it’s fair to say this is a very typical TOT G&S production.

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February 2025

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Before looking forward to next month I want to mention a couple of things this weekend that I haven’t previously noticed.  Saturday (Jan 25th) at 12.30pm there is a Met HD broadcast of new production of Aida with a pretty interesting looking cast.  Later, at 6pm there’s a rather special concert at the Arts and letters Club to celebrate the 100th birthday of Morry Kernerman (former assistant concertmaster of both the TSO and OSM).  The concert is presented by Canzona Chamber Players and wiull feature Trio Uchida-Crozman-Chiu. Continue reading →

Countess Maritza

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This year’s New Year offering from Toronto Operetta Theatre is Imre Kálmán’s 1924 work Countess Maritza presented in Nigel Douglas’ English language version.  It’s a pretty typical TOT offering.  The work itself is a rather silly love story full of just about every cliché about central Europe bar vampires but it’s tuneful and the ten piece orchestra conducted by Derek Bate provides colour and volume enough for the Jane Mallett Theatre.147

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Gaudeamus igitur

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Sigmund Romberg’s The Student Prince was a huge success when it premiered in New York in 1924.  It’s not hard to see why.  It’s an undemanding “love versus duty” plot with plenty of tuneful numbers and lots of drinking and drinking songs which must have had a particular appeal during Prohibition!

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Cervantes finds a plot

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Jacinto Guerrero’s El huésped del Sevillano (The Guest at the Inn) is a zarzuela that premiered in Madrid in 1926.  It’s a light hearted musical romp and the soprano doesn’t die at the end.  I caught the last of three performances given by Toronto Operetta Theatre at the St. Lawrence Centre directed by Guillermo Silva-Marin.

guestattheinn

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A very merry Widow

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Toronto Operetta Theatre opened a production of Frank Lehár’s A Merry Widow at the Jane Mallet Theatre last night.  It’s in some ways very much the TOT package one expects; English translation with a few gently updated jokes, a small pit orchestra, lots of movement and a cast of young, up and coming singers (for the most part).  There were no real surprises.  It was just done rather well.

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