Singing Stars of Tomorrow

Last night ten singers who had taken part in an intensive class/coaching with Sondra Radvanovsky showed us what they could do.  The program was organised and presented by the International Resource Centre for Performing Artists at the Alliance Française.  It says quite a lot about the current state of supply and demand in the opera world that nine of the ten singers were female and seven were sopranos.  We were given one aria per singer and a lot, inevitably I suppose, of Donizetti, Bellini and Rossini with one aria apiece for Verdi and Puccini.

ssot

Continue reading

Artsong reGENERATION

The Academy Program is an important part of the Toronto Summer Music Festival.  It allows selected young artists; singers, collaborative pianists and chamber/orchestral musicians, to work with experienced professionals in an intensive series of coachings, masterclasses etc culminating in a concert series.  This year the mentors for the vocal/collaborative piano component were pianist Craig Rutenberg, who has worked everywhere and with everybody, and mezzo-soprano Sasha Cooke; a last minute replacement for an indisposed Anne Schwannewilms.  I didn’t make it to any of the masterclasses, though word on the street is that they were exceptional, but I did make it to yesterday’s lunchtime concert in Walter Hall.

regen

Continue reading

There must be more money

Rocking Horse Winner; music by Gareth Williams and libretto by Anna Chatterton, opened last night at the Berkeley Street Theatre.  It’s based on the short story by DH Lawrence and is a co-commission of Tapestry Opera and Scottish Opera.  There are some changes from the original story.  Here Paul is a developmentally challenged adult (on the autism spectrum) rather than a child.  The gardener is replaced by his personal care worker who moonlights as a caller at the local racetrack.  This has a couple of advantages.  It provides something of a rationale for Paul hearing the “voice” of the house and for his apparently inexplicable intuition about race winners and it also means that Paul can be cast as a tenor rather than having to make an awkward choice between a boy soprano or a pants role.  As Paul is one of, perhaps the main, character, this simplifies casting considerably.  The work is also gently updated.  So gently in fact that it’s barely perceptible.

RHW-L to R, top to bottom Keith Klassen as Oscar, Peter McGillivray as Bassett, Asitha Tennekoon,, Stephane Mayer, Aaron Durand, Sean Clark, Elaina Moreau, Erica Iris

Continue reading

Underdone Alcina

There’s not that much Handel on offer in Toronto so it seems really rather odd that Alcina should get two productions within eighteen months.  The attraction of the piece for Opera Atelier was obvious.  It’s Handel’s only opera that incorporates dance.  Why the Glenn Gould School at the Royal Conservatory should think it’s a good choice for a student production is less clear.  Dance aside, it’s classic Handel; written for an audience who expected great virtuosity from the star singers (in this case Giovanni Carestini and Anna Maria Strada) plus the very latest in analogue SFX.  Neither of these could reasonably be expected at Koerner Hall.

Photo: Nicola Betts

Continue reading

The week in prospect

alcina_365sqBack to relative quiet!  The main event in the coming week is the GGS spring production.  They are doing Handel’s Alcina.  The cast includes Meghan Jamieson, Irina Medvedeva, Christina Campsall, Lillian Brooks, Joanna Burt, Asitha Tennekoon and Keith Lam.  Leon Major directs and Ivars Taurins conducts.  The publicity material suggests a 1920s setting.  Anyway it’s at Koerner Hall at 7.30pm on Wednesday and Friday.

There are a couple of kid friendly March break concerts in the RBA.  Tuesday sees what seems to have become an annual event; Kyra Millan’s Opera Interactive.  This year she is joined by Tina Faye and Charles Sy.  Then on Thursday Cawthra Park Chamber Choir and conductor Bob Anderson, one of the GTA’s leading school choirs, present various choral traditions and styles from the Renaissance to contemporary Canadian works.  Charles Sy, a Cawthra Park alumnus also features in this one.  Both at noon of course.

Then at the  Newmarket Theatre on Saturday at 7:30pm and Sunday at 2pm opera Luminata are performing.  This is a rather odd spectacular thing with taped orchestra and pyrotechnics.  I haven’t seen them but they got a rather more positive reception than I expected last time around.  www.operaluminata.com for details.

GGS Vocal Showcase

campsallThe Glenn Gould School Vocal Showcase at Mazzoleni Hall last night was a chance to see twenty of the school’s singers in action.  It was a curious mix actually; one bass, one baritone, a handful of tenors and mezzos and a lot of sopranos.  There was a huge range of age and experience too from 18 year old first years to quite seasoned post-grads.  As usual with these things I’m not going to attempt to be comprehensive but instead focus on the highlights as I saw them. Continue reading

Selfie

selfieSelfie is a work in progress by Chris Thornborrow and Julie Tepperman.  It’s still incomplete and the performances over the last couple of days were workshops designed to elicit audience feedback.  It had its genesis at the 2013 LibLab and it’s come a long way.  The original sketch of two teenagers texting each other is turning into an hour long piece about cyberbullying.  It’s a rather disturbing exploration of how technology allows teenagers to do all those things which teenagers do with even less “supervision” than ever.  In this case a manipulative girl (Cindy played by Larissa Koniuk) tries to make up for her split from her rather feckless boyfriend (Devon played by Asitha Tennekoon) by engineering a split between her friend Mindy (Meher Pavri) and her bloke Tyler (Giovanni Spanu).  The result is a massive on-line slut shaming campaign against the fifth character Heather who has no real identity or agency until the very last scene.  Adults encountered along the way are portrayed as clueless, ineffective or bureaucratically indifferent.

Continue reading

News from MY Opera

applinTwo announcements from MY Opera at their fundraiser yesterday.  First, they have rebranded from Metro Youth Opera to MY Opera.  I guess everybody is getting a little older!  More exciting, their spring 2016 production will be Britten’s The Rape of Lucretia which is a definite departure into much darker territory for this company and a chance to see a work that isn’t performed too often.  Dates and casting TBA.

The fundraiser itself was fun with some fine singing from, among others, Stephanie Tritchew, Lyndsay Promane, Asitha Tennekoon and Kelsey Vicary with Natasha Fransblow on keyboards.  There was beer and silly hats and a vast quantity of rather good chicken wings.  There was also a raffle and a photo booth thingy.  And did I remember to mention the chicken wings.

Much Ado

11160680_986649388020560_2336906169017147576_nI really wasn’t at all familiar with Berlioz’ Béatrice at Bénédict before last night’s opening of a production by Metro Youth Opera at the Daniels Spectrum.  All I knew was that it had something to so with Shakespeare’s Much Ado About Nothing and a reputation for being rather tedious.  For the record it’s basically the Shakespeare play shorn of all the darker elements; no Don John, no fake funeral, resulting in a RomCom in which the title characters, after much verbal sparring,  are finally brought to admit that they are in love and get married along with Claudio and Héro.  Further compressed a little (Somarone is axed) for this production it runs a pleasingly untedious two hours or so.

Continue reading

Béatrice and Bénédict

BetBHere’s another listing I missed in the chaos of moving back into the Kitten Kondo.  Metro Youth Opera have a run of three performances of Berlioz’s Béatrice and Bénédict at the Daniels Spectrum (Aki Studio).  The shows are on April 24th and 25th at 7.30pm and the 26th at 2.30pm.  Alison Wong directs with Natasha Fransblow as Music Director.  The cast includes Simone McIntosh as Béatrice and Asitha Tennekoon (Paris in the recent GGS La belle Hélène) as Bénédict.  Full details and tickets are available here.