The Canadian Children’s Opera Company have announced their 50th anniversary season. The big news is that the main production will be a new piece by Alice Ping Yee Ho and Marjorie Chan (the team behind The Lesson of Da Ji). The new piece is called The Monkiest King and is based on the legendary (and comic book) character the Monkey King. Like the earlier work it will fuse western opera and traditional Chinese music techniques and instruments. It will play at the Lyric Theatre at the Toronto Centre for the Arts May 25-27 2018.
There is also going to be a celebratory concert hosted by Ben Heppner on October 26 2017 at the Four Seasons Centre. Besides performances by the current CCOC there will be appearances from Richard Margison, Krisztina Szabó, Simone Osborne and Andrew Haji and a choir of CCOC alumni.
All families, they say, have secrets. Few perhaps are as lurid as what came to light at 29 Kintyre Avenue, Toronto (about 2km from here) in the summer of 2007 when a contractor renovating the house discovered the mummified body of an infant wrapped in a 1925 newspaper. Incredibly, the CBC was able to track down the last surviving member of the household from that era, a 92 year old woman living in a retirement home in up-state New York. Her recollections, which formed the subject of a short two part radio documentary, provided a lot of context and background but few hard facts. Who the baby was and how it came to be under the floorboards remains very much a mystery.
Tapestry Songbook is the culmination of New Opera 101; a week long masterclass where young singers get to work with established performers on repertoire from Tapestry’s extensive collection of recent Canadian work. This year the “masters” were Krisztina Szabó, Keith Klassen and Steven Philcox. The week culminates with a series of concerts of :scenes”; some performed by the “masters” and some by the students. As there were fourteen pieces performed and a cast of thousands I’m just going to report on my personal favourites with due apologies to anyone who got left out.
Thursday seems to be the big day next week. Ileana Montalbetti and Rachel Andrist have a lunchtime recital in the RBA. There’s Strauss and Mozart and Beethoven and more. Ileana has been a really impressive Gutrune in Götterdämmerung so I’m excited to see her in recital. That evening there’s a choice of the annual COC Ensemble Studio performance at the Four Seasons Centre where the Ensemble members will be offering staged scenes, with full orchestra, from Mozart’s La finta giardiniera, Bellini’s Norma and Handel’s Ariodante. The alternative is Tapestry Songbook VII featuring Krisztina Szabó, Keith Klassen and Stephen Philcox performing numbers from Tapestry’s extensive back catalogue. That’s at the Ernest Balmer Studio at 7.30pm. There are repeat shows on Friday at 7.30pm and 10pm. Looks like both 7.30pm shows are sold out but late night Friday is still available. Operaramblings’ extensive spy network (not Louise Mensch) suggests that patrons may also learn something to their advantage. The day before, Wednesday at 7.30pm, there’s a Don Giovanni in concert at Royal St. George’s Chapel. Actually seeing as how dancer Bill Coleman is involved it may not be entirely straight “in concert”. The cast includes Alexander Dobson in the title role, Katherine Whyte, Colin Ainsworth, Taiya Kasahara, Vania Chan and Matthew Li plus a “special guest”. Tickets at 
Hot on the heels of the RCM, the Toronto Symphony has announced its 2017/18 season, whih will be Peter Oundjian’s last as Music Director. There’s lots of sesquicentennial stuff of course but here’s a summary of the interesting vocal stuff (rock and roll and other children’s music omitted).
Tapestry Opera has now announced its upcoming season. There are three shows. The season begins in November with 
Most people in the Toronto opera world know Dean Burry principally as a composer of operas for children. He’s written several and a couple have been mainstays of COC school tours. It’s perhaps understandable then if his music is seen as approachable and maybe, even (sotto voce), a little unsophisticated. Last night, a recital of Dean’s works in Victoria College Chapel; part of his DMA program at UoT, provided a chance to hear a number of works in a much broader range of styles.
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