Following on from this year’s successful festival at Theatre Passe Muraille Opera 5 are once again running a sort of mini festival at that venue in June next year. There will be two programmes. There’s a Puccini double bill of Suor Angelica and Gianni Schicchi which, I’m guessing will be given with chamber ensemble accompaniment. Rachel Krehm headlines as the theologically unsound nun while Gianni Schicchi has Greg Dahl in the title role. Krisztina Szabó will appear in both operas as Princess Zia and Zita. Jessica Derventzis directs and Evan Mitchell is in charge of matters musical. This one runs June 3rd to 7th. Continue reading
Tag Archives: puccini
La Rondine from Voicebox:Opera in Concert
My review of Voicebox:Opera in Concert’s production of Puccini’s La Rondine at the weekend is now up at Opera Canada.
Elegant 1930s Tosca
Puccini’s Tosca was recorded for video last year at the Maggio Musicale Fiorentino in a production by Massimo Popolizio. It’s set in the 1930s but other than sets and costumes appropriate to that period it’s played dead straight. Although there’s some kind of mafia/fascisti vibe it’s not really explored and one really experiences it as a “traditional” Tosca. The 30s aesthetic though certainly suits Vanessa Goikoetxea who comes over as very glamorous.
Traditional Butterfly at the COC
The Canadian Opera Company opened it’s “new to Toronto” production of Puccini’s Madama Butterfly on Friday night. It’s a production that’s been around for a while having premiered in Houston in 2010. It’s almost entirely traditional. The one concession to critics of Puccini’s rather sordid tale is that Butterfly’s age is raised from fifteen to eighteen. The original concept was Michael Grandage’s but it’s revival directed here by Jordan Lee Braun.
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Butterfly by the book
The production of Puccini’s Madama Butterfly recorded at Covent Garden earlier this year is a remount of the 2003 production by Moshe Leiser and Patrice Caurier directed this time by Daisy Evans. It’s about as conventional as a Butterfly production can be. There’s the odd bit of visual interest like a shedding cherry tree in the finale but mostly it’s standard operatic Japanese bar, perhaps, the cut and colour of Pinkerton’s suit in Act 3.

The Ensemble Studio kicks off a new season
Wednesday lunchtime saw the members of the COC’s Ensemble Studio kick of the free concert series season in the RBA. It was good. Pianists Brian Cho and Mattia Senesi started off in fine style with a four hands version of the overture to The Barber of Seville and then it was on to the singing.

MetHD 2024/25
The Met HD in cinemas line up has been announced for 2024/25 so here’s my take on it. The first thing to notice is that there are only eight shows. There have been ten per season since 2012/13 and twelve before that. This is likely a reflection of the problems with audience numbers that all North American opera companies have been having. In the same time period the COC has cut back from 65-70 main stage performances per year to 42 and the Met’s “in house” audience problem has been well publicised. So what does that leave us with?
TSO and VOICEBOX 2024/25
The Toronto Symphony’s 2024/25 season is the usual mix of mainstream symphony/concerto rep, Pops, film music, kids’ concerts etc. My sense is that it has got more “popular” since the pandemic and that therefore there’s been less that’s caught my eye. That’s my story anyway!
There are some concerts of interest to me though in the 2024/24 season though; curiously mostly in November. The four that caught my eye were the following: Continue reading
Manon goes to Ellis Island
Davide Livermore’s production of Puccini’s Manon Lescaut, performed and filmed at Barcelona’s Liceu in 2018 moves the setting of the piece from the 1700s to the 1880s and includes a spoken prologue (in English). In the prologue the elderly Des Grieux is visiting Ellis Island just before its closure and is reminiscing. The meaning of this will eventually become clear but what we get from the beginning is this elderly figure as a silent spectator to the action. We may even be seeing the whole thing narrated as a flashback by Des Grieux.

COC 2024/25
The COC has just announced it’s 2024/25 season. It’s a mixed bag. There are some very welcome examples of operas not seen in Toronto for a long time and a new co-commission. There’s a perhaps surprisingly earlier than expected remount of Eugene Onegin plus Madama Butterfly yet again but at least it’s a “new to Toronto” production. There are no new/new productions and no COC Theatre production though there’s one performance of a concert version of Cavalleria Rusticana at the Four Seasons Centre. It’s a bit light on star power too though there are plenty of opportunities for home grown favourites.

A scene from William Kentridge’s Wozzeck – photo: Ruth Walz
