Overstuffed Carmen

It’s nearly five years since I saw the MetHD broadcast of Carmen with Alagna and Garanča.  I remember being quite impressed at the time.  Watching it again on Blu-ray I came away with a less favourable impression.  It’s not that it’s bad.  It’s not.  It just feels a bit lacklustre in a very crowded field.  Let’s start with the positives.  Elina Garanča is a very good Carmen.  She sings superbly and grows into the role dramatically as the work progresses.  She’s also a very good dancer and the production exploits that.  In fact dance is used very well throughout with specialist dancers used to stage a sort of prologue to each act as well as the obvious places being reinforced with “real” dancers.  As always, the Met doesn’t stint on this element and the dancers used are first rate.

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Conspicuous Consumption

Richard Eyre’s production of La Traviata at the Royal Opera House, filmed in 2009, is a pretty good example of how to do a traditional production.  There’s nothing conceptual or thought provoking to it but the direction is careful and tells the story clearly and well.  The designs are mid 19th century with crinolines and tail coats but with the odd imaginative touch and a welcome refusal to succumb to the “more stuff” syndrome that plagues so many Verdi and Puccini productions.  Backed up by excellent music making it probably makes a near ideal introduction to the piece, even if it won’t entirely displace Willy Decker’s brilliant and disturbing Salzburg production in my affections.

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