La bulle

It’s not opera yet but I’ll take any live theatre I can get right now.  Last night’s show was a joint presentation by Jamii Esplanade and Théâtre Français de Toronto of David Danzon and
Carolin Lindner’s La bulle.  It’s not an easy show to describe.  There is one character; Pierrot, dressed in the traditional manner and played brilliantly by Danzon.  He inhabits a transparent dome.  Pierrot dreams his dreams wordlessly through mime, drawing, dance and even text.  He finds ways to communicate with the outside world; us, sitting in a 360 degree arrangement around the dome.  There’s music and complex lighting effects.  The show has real emotional depth and is strangely moving.  At times it’s very funny and Danzon’s agility and ability to go through what seem like complete personality changes is rather remarkable.   It’s playing at 8pm every night until September 5th in the courtyard at Berkeley Castle but I’m afraid all performances are sold out.

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Photo credit: Muriel Cavanhac

Lyrical Walküre

The thing that struck me most about the Royal Opera House’s 2018 recording of Wagner’s Die Walküre is how lyrical it is.  It’s not without excitement in the appropriate places, far from it, but there’s such lovely singing.  Nina Stemme’s Brünnhilde is tender and poetic and the combo of Stuart Skelton and Emily Magee as the twin lovers is really good.  Throw in a nuanced Wotan from John Lundgren and a typically elegant performance from Sarah Connolly as Fricka and it’s really a pleasure to listen to.  Ain Anger is not so lyrical as Hunding but it’s a fine menacing performance.  Antonio Pappano and the house orchestra are equally fine.

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Royal Conservatory 2021/22

rcmThe Royal Conservatory of Music has just announced a real live season for 2021/22. Covid restrictions will likely be in place for at least the first part of the season but hopefully will ease up at some point. There’s the usual eclectic mix of classical, vocal, jazz, world music etc so I’ll just cover the classical vocal stuff which is actually pretty exciting.  Let’s go through it chronologically. Continue reading

Met in HD 2021/22

methdThere’s a Met in HD season again with ten shows starting in October.  All shows start at 12.55pm New York time.  Three out of ten performances are 21st century operas which is as surprising as it is welcome.  There are some interesting looking new productions and one or two that fit into a Met formula that doesn’t work for me usually.  And there are two remarkably venerable productions that surely are past their sell by date.  Here are my thoughts on each:

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Recent and upcoming

sitrIt’s been a bit quiet lately but there a couple of live shows and a video that you might want to check out.  None of them are opera really but whatever.  Shakespeare in the Ruff are doing something different this year.  They have a one hour show called Towards Rebirth which explores the themes of Rupture, Resilience, and Rebirth.  It was created in workshop by the actors and so it’s maybe not the most polished theatre you will ever see but it’s quite moving and sometimes very funny.  There are six more shows in Withrow Park at 3pm and 6.30pm Friday through Sunday.  It’s ticketed and PWYC.  Details here.

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COC fall 2021 season

it_never_endAs expected the COC’s fall season, announced today, is all virtual.  Even the RBA concerts will be 5 minute on-line nuggets.  The stuff on the main stage is pretty interesting though.  Here’s the line up (note all dates are “supporter opening night”.  General streaming starts 24 hours later.  All shows are at 7.30pm).:

  • 24th October: Russell Braun and tamara Wilson in concert with the COC Orchestra and Johannes Debus.  Details here.
  • 29th October: Puccini’s Gianni Schicchi.  Amy Lane directs.  Roland Wood sings the man.  More details.
  • 12th November: Juno award winning jazz/folk fusion group Okan perform songs from their latest album.  Details.
  • 26th November: Mozart’s Requiem with Midori Marsh, Marion Newman, Andrew Hadji and Vartan Gabrielan plus the COC orchestra and chorus and Johannes Debus.  More.
  • 17th December: In Winter.  A concert featuring winter themed music including a new piece for solo, chorus and orchestra by Ian Cusson.  Performers include Melody Courage past and present members of the Ensemble Studio and the COC opera and chorus with Johannes Debus.  Details.

I’m a bit disappointed that there’s nothing concrete about a return to live with an audience performance but I’m not surprised.  I just hope the Village Idiot in Chief can get his mind around something like a vaccination passport in time for a post Christmas return.

At least all this content is free and that’s a big plus.

Mathis der Maler

My guess is that Paul Hindemith’s Mathis der Maler is an opera most opera amateurs have heard of but which comparatively few have actually seen.  The video release of a 2012 production at Theater an der Wien directed by Keith Warner is therefore very welcome.

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Soundstreams 21/22 season

In what seems to becoming the pattern, Soundstreams has announced a 21/22 season which is virtual for the balance of this year with a possible return to “live” early next year.

The digital performances include a new film, Garden of Vanished Pleasures, directed by Tim Albery with music by Cecilia Livingston and Donna McKevitt inspired by Derek Jarman and his garden.  That’s in September.  Ironically I might see it before Jarman’s own film about his garden which I have had on hold at the TPL since January!

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The Snow Maiden

Rimsky-Korsakov’s The Snow Maiden is a rather odd opera.  It’s set in some sort of idyllic pre-Christian Russia where the tsar is approachable, just and benevolent and the people spend most of their time drinking and having sex.  Into this world comes Snow Maiden, the fifteen year old daughter of Winter and Spring.  Her parents have various things to do and so decide to park the girl with the local peasantry.  Various romantic complications ensue involving a rather nasty, rich merchant Mizguir and the mysterious Lel, who may be a shepherd but likely isn’t mortal either.  The mating behaviour of the locals confuses Snow Maiden as she is incapable of falling in love.  Eventually Spring grants her that faculty and she gives herself to Mizguir, while really wanting Lel, but the rays of the sun on the first day of summer melt her. The natives ignore her death and get on with singing and dancing.

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Season announcements

A couple of “season” announcements have come in.  Inverted commas because it’s all rather provisional with more details to come. Opera Atelier is offering a virtual summer/fall season with a reprise of Handel’s Resurrection from July 29th through August 12th.  This time there is a Standard Audio Description; a tool for blind and partially sighted people.  The fall sees the final version of Edwin Huizinga’s Angel released as a film that will stream October 28th through November 12th,  The cast includes Measha Brueggergosman, Colin Ainsworth,  Mireille Asselin, Jesse Blumberg, Meghan Lindsay, John Tibbetts (Opera Atelier debut), and Douglas Williams.  An announcement about a return to in theatre perfomances will be made in January.

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Photo credit: Bruce Zinger

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