Fashion first at the COC

neefbeard

Intellectual and Germanic

Observers of the Toronto opera scene will have noted the creeping influence of facial hair in the industry locally.  Perhaps it didn’t start with COC General Director Alexander Neef’s intellectually Germanic goatee but who could deny that it had a profound impact.  Earlier this week the four tenors of the Ensemble Studio appeared together sporting face rugs in varying stages of development and the scene is replete with other notable beardies.  Geoff Sirett, Robert Gleadow, Greg Finney and Alexander Dobson come to mind.  It’s almost compulsory, it seems, for baritones.   Continue reading

Opera Access for New Canadians

helloIt’s the logical follow up to Alexander Neef’s speech on the opening night of The Marriage of Figaro run.  The COC has announced  the creation of Opera Access for New Canadians, a community outreach and engagement initiative. It will offer newcomers to Canada, including immigrants and refugees, and new Canadian citizens access to dress rehearsals and selected performances. The first phase begins this spring with the COC joining the Institute for Canadian Citizenship’s Cultural Access Pass (CAP) program, which offers new Canadian citizens one year of complimentary admission to more than 1,200 cultural attractions across the country.  (There are 1,200 cultural attractions in Canada, who knew?) Continue reading

Poisson d’avril

osolemeowAs we approach All Fools Day the calendar starts to get busier.  On Tuesday 29th March there’s a concert at lunchtime in the RBA called The Four Tenors.  In this case it’s Andrew Haji (lucky St. Louis folks can see him as Rodolfo next season), Jean-Philippe Fortier-Lazure, Charles Sy, and Aaron Sheppard.  The program is a bit predictable and, yes, there are Neapolitan songs, though not, at least according to the on-line version O sole mio.  Also no Nessun dorma so I think we have a handle on the possible encores.

Then it’s on to April 1st itself and here the gods are laughing.  At 5pm, at the McMillan Theatre, UoT Opera are doing the The Art of the Prima Donna; a selection of staged and costumed scenes from classic operas.  Parts of this were performed in the RBA in October last year.  Then at 8pm at the Arts and Letters Club, Bicycle Opera Project and the Toy Piano Composers’ Collective have a show called Travelogue featuring short operas about travel.  This one is repeated on the 2nd.  Finally, Voicebox:Opera in Concert are premiering Isis and Osiris by Peter Anthony Togni and Sharon Singer.  This one is at 8pm at the Jane Mallett Theatre and it’s sponsored by the Egyptian Tourist Authority who can probably use all the help they can get right now (and no jokes about pyramid marketing schemes please).  This one is repeated at 2.30pm on Sunday 3rd April.

Coming up

strangerWith Easter almost upon us it’s not surprising that the upcoming week is a bit light.  Tonight Danika Lorèn and friends at Collectìf have a show at Heliconian Hall at 7.30pm.  It’s called As a Stranger and is their take on Schubert’s Winterreise.  I’ve been quite taken by this young group’s efforts to date.  Tickets are available here.  Then tomorrow night Andrew Haji, Megan Quick and a chamber orchestra drawn from the university faculty have a concert in Walter Hall at 7.30pm.  Featured works include Schoenberg’s Die Waldtaube from Gurrelieder and Mahler’s (arr. Schoenberg) Das Lied von der Erde.  Tickets from the MacMillan box office.

 

The week in prospect

alcina_365sqBack to relative quiet!  The main event in the coming week is the GGS spring production.  They are doing Handel’s Alcina.  The cast includes Meghan Jamieson, Irina Medvedeva, Christina Campsall, Lillian Brooks, Joanna Burt, Asitha Tennekoon and Keith Lam.  Leon Major directs and Ivars Taurins conducts.  The publicity material suggests a 1920s setting.  Anyway it’s at Koerner Hall at 7.30pm on Wednesday and Friday.

There are a couple of kid friendly March break concerts in the RBA.  Tuesday sees what seems to have become an annual event; Kyra Millan’s Opera Interactive.  This year she is joined by Tina Faye and Charles Sy.  Then on Thursday Cawthra Park Chamber Choir and conductor Bob Anderson, one of the GTA’s leading school choirs, present various choral traditions and styles from the Renaissance to contemporary Canadian works.  Charles Sy, a Cawthra Park alumnus also features in this one.  Both at noon of course.

Then at the  Newmarket Theatre on Saturday at 7:30pm and Sunday at 2pm opera Luminata are performing.  This is a rather odd spectacular thing with taped orchestra and pyrotechnics.  I haven’t seen them but they got a rather more positive reception than I expected last time around.  www.operaluminata.com for details.

Coming up

letravail_365sqIt’s getting a bit busier again.  This afternoon there are a couple of concerts.  At 2pm in Mazzoleni Hall you can catch Mireille Asselin and Brett Polegato with Peter Tiefenbach and Rachel Andrist in a painting themed program of lieder, artsongs and chansons called Le travail du peintre.  At 4.30pm at Metropolitan United Church Bach’s Mass in B Minor meets German film maker Bastian Clevé’s film The Sound of Eternity.  The soloists are Marjorie Maltais, Geoff Sirett, Jennifer Krabbe and Charles Sy plus the Orpheus Choir, Chorus Niagara and the Talisker Players.  I suppose it would just about be possible to do both…

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Soundstreams 2016/17

unsukchinSoundstreams have just announced their 2016/17 season.  There’s quite a lot there for those with an experimental taste in vocal music as well as a bunch of instrumental stuff.  Probably the biggest deal is a staging of “musical curiosities” from R. Murray Schafer’s Patria cycle. Odditorium will feature selections from The Greatest ShowRa, and others, immersing audiences in a circus-like atmosphere, complete with host carnival barker.  This one is directed by Chris Abramson and runs March 2nd to 5th, 2017 at Crow’s Theatre, a new 215 seat venue on Carlaw.  Time for my annual fix of Shafer nuttiness!

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Next week

muehleIt looks like another fairly quiet week ahead.  Just a couple of listings.  Tomorrow at 7.30pm, at Walter Hall, Benjamin Butterfield and Steven Philcox are performing Schubert’s Die Schöne Müllerin.  Tickets here.  Then on Thursday, March 3rd there’s a panel discussion on a variety of opera topics featuring the MYO creative team moderated by Greg Finney. It’s at the Spoke Club at 7pm.  Details are here.

A Little Too Cozy

So the cat’s out of the bag.  The long awaited where, when and who of Against the Grain’s Toronto run of A Little Too Cozy have been revealed.  A Little Too Cozy is the third and final instalment in a trilogy of Mozart “transladaptations” developed by AtG, which place the works in appropriate, non traditional opera, venues and which use English language librettos by Joel Ivany bringing the stories into a contemporary context.  The first two instalments; Figaro’s Wedding and #UncleJohn, sold out their Toronto runs.

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Toy pianos on a bicycle

On April 1st and 2nd Bicycle Opera Project will present Travelogue; four new operas that explore travel by bicycle, car and rocket ship. It’s part of Toy Piano Composers’ inaugural Curiosity Festival

The four operas are:

April by Monica Pearce
Cycling up the Don Valley Trail, a young woman grapples with a decision she cannot put off any longer.

Road Trip by Elisha Denburg
What you’d expect from two guys on a road trip. Until it’s not.

My Mouth on Your Heart by August Murphy-King with a libretto by Colleen Murphy
Liam encounters Life and Death as he travels to the spot where his girlfriend died.

Waterfront by Tobin Stokes
On the shuttle to Mars, scientists dispute their quest. The perfect espresso? Or something else entirely?

travelogue

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