The Royal Conservatory announced the concert line up for the 2016/17 season last night. As usual it’s a very eclectic mix with over 100 concerts in a rather staggering variety of genres. The one loose them is the Canada Sesquicentennial with 70% or so of the line up having some CanCon. Here are the highlights for the classical vocal music fan.
Koerner Hall will feature recitals by Deb Voigt (November 11th) and Natalie Dessay (May 2nd) plus Phillippe Jaroussky with Les Violins du Roy (April 13th).
The GGS fall opera is Viardot’s Cendrillon with Peter Tiefenbach as music director in Mazzoleni Hall (November 18th and 19th). The big spring production, at Koerner, will be Piccini’s La Cecchina with Les Dala conducting (March 15th and 17th). No word on directors yet. There’s also the GGS Vocal Showcase in Mazzoleni Hall on February 4th.
Things are really starting to slow down so this will be the last “upcoming” post before the summer lull when this feature will go on hiatus. Next week there’s the final vocal concert of the season in the RBA. It’s on Tuesday at noon when Karine Boucher will perform Ravel’s Shéhérazade with Charles Sy joining in with Britten’s Les Illuminations. On Sunday 21st at 5pm in Mazzoleni Hall, Christina Campsall has a recital of 20th century works including the challenging Messiaen piece, Poèmes pour Mi. It’s free.
I met with Aria Umezawa yesterday to talk about Opera 5’s latest project, a rather unusual take on Johann Strauss’ Die Fledermaus. The project grew out of a desire to break Opera 5’s association with reviving rather obscure pieces and to do something “from the canon”. But, of course, for this company there had to be an angle. In this case it’s that Act 2 will be an immersive, audience participation exercise. We are all invited to Orlofsky’s party. There will be aerialists, burlesque dancers and a grand waltz for all which will probably reduce choreographer Jenn Nichols to tears. There a few other change ups. Frosh is gone and Ivan is replaced by drag queen Pearl Harbor, who will emcee the party. It’s in English, as the set up would make surtitles pretty much impossible. And the cast is pretty good. Michael Barrett sings Eisenstein with Rachel Krehm as Rosalinde, Julie Ludwig as Adele and Erin Lawson as Orlofsky among others.
The crazy late April/early May rush seems to be pretty much over. This coming week there are only a few performances of note. On Tuesday in the RBA at noon Aviva Fortunata and Iain MacNeil perform Strauss’ Four Last Songs and Vaughan Williams’ Songs of Travel. Thursday sees the opening of Against the Grain’s A Little Too Cozy at the CBC’s Studio 42. Then on Friday 13th, the TSO are doing, appropriately enough, Shostakovich’s 13th Symphony which sets Yevtushenko poems about the Babi Yar massacres.
This Saturday FAWN Chamber Creative are presenting the first part of 
The last Songmasters concert of the season featured a selection of works that sorta kinda had a Finnish or Hungarian connection. The first part of the prgram featured songs by Sibelius, all but one to Swedish texts, and piano pieces by Selim Palmgren, whose music sounds like a sort of cross between Debussy and Sibelius. The songs were sung Stephen Hegedus with plenty of power and quite a bit of subtlety. We had been told he was quite ill but one wouldn’t have known it. Fine, delicate work at the piano by Robert Kortgaard. 
The very busy spring season continues for another couple or three weeks before we head into the summer lull. This afternoon sees the final Songmasters concert of the season at the Royal Conservatory with the Hungarian-Finnish connection. Soprano Leslie Ann Bradley, bass-baritone Stephen Hegedus, pianists Rachel Andrist and Robert Kortgaard and violinist Erika Raum will perform Kaija Saariaho’s Changing Light as well as works by Liszt, Bartók, Sibelius, and others. That’s at 2pm in Mazzoleni Hall.
I didn’t do a preview post on Sunday so let’s remedy that with one covering the balance of this week and next week. Carmen continues at the COC with the first chance to see the second cast tomorrow evening. There’s also a slew of lunchtime concerts in the Richard Bradshaw Amphitheatre:
operaramblings 