I caught the Toronto Mendelssohn Choir’s second performance of Verdi’s Messa da Requiem at Koerner Hall on Tuesday evening. It’s a piece that’s deservedly famous but I think that this was my first time seeing it live. It’s an interesting piece. It’s not a conventional requiem but nor would I call it “operatic”. It’s far more dramatic than any other mass setting I can think of (even Britten’s War Requiem) but in its own way. Part of it is structural. Verdi keeps bringing back the “Dies Irae” text and music; even right down to. the final “Libera Me”. As his setting for the “Dies Irae” is extremely dramatic (I want to say gonzo but that doesn’t seem very ecclesiastical!) it injects a degree of drama where the core text doesn’t really call for it. FWIW the setting is very loud with choir and orchestra going full out and the timpani being almost scary. It’s particularly so first up where it segues straight into the “Tuba Mirum” with trumpets up on either side of the choir loft.

The Toronto Symphony’s 2024/25 season is the usual mix of mainstream symphony/concerto rep, Pops, film music, kids’ concerts etc. My sense is that it has got more “popular” since the pandemic and that therefore there’s been less that’s caught my eye. That’s my story anyway!
Here are some upcoming shows for April:
First some additional February shows
First some late calls for November:


The Toronto Symphony have a new CD out. It’s a couple of Berlioz works recorded under the baton of Sir Andrew Davis at Roy Thomson Hall in September 2018. The first piece is the rarely heard Fantaisie sur la Tempête de Shakespeare for which the orchestra is joined by the Toronto Mendelssohn Choir. It’s an early piece inspired by one of Berlioz’ unrequited passions (like everything else by Berlioz!) and was considered daringly modern in its day. It’s said to be the first piece to introduce a harp to the symphony orchestra and it also includes piano four hands. It’s very colourful and rather brash which is territory that Sir Andrew excels in. There’s great clarity to both the singing and the playing.