One of the interesting things about Offenbach’s Tales of Hoffmann is that there is no definitive edition so creative teams have a lot of flexibility in how they cut and combine material. Director Tobias Kratzer and conductor Carlo Rizzi created a really interesting take for their production at Dutch National Opera in 2018. It’s a very modern, very dark interpretation that while it keeps Offenbach’s music (though not interpolations like Scintille diamante) and the words are all from (some version of) the libretto the storyline varies a lot from what we are used to while keeping intact the central psychological fact that Hoffmann is incapable of relating to real women.
At Roy Thomson Hall last night for the TSO playing Carl Orff’s extravaganza Carmina Burana. It was fun. I don’t think it’s a piece to over-intellectualize. Big orchestra, enormous choir (Toronto Mendelssohn Choir augmented by the Toronto Youth Choir plus the Toronto Children’s Chorus), bawdy Latin lyrics and so on. It’s big, brash and mostly quite loud though I think Donald Runnicles did a fine job of balancing orchestra and voices, especially when the soloists or the children were singing.