Here’s a few things to look forward to next month. Weirdly everything I know about so far is in the first half of the month so I’ll maybe do a supplemental for the back half in a couple of weeks time. Continue reading
This year’s New Voices concert from Soundstreams, curated by Haotian Yu, played at Hugh’s Room on Monday evening. It set out to explore some of the issues around human migration through three works by diasporic Canadian composers. It also explored the use of technology in the creation and performance of musical works. Sio pretty ambitious.
Here’s some of what January has to offer…
Toronto Operetta Theatre is doing Imre Kalman’s The Czardas Princess over the New Year holiday. It’s st the Jane Mallett Theatre and there are shows on December 30th and January 2nd, 3rd and 4th.
Soundstreams’ opening concert of the season at Trinity St. Paul’s on Saturday evening featured Sarah Kirkland Snider’s Mass for the Endangered and an intriguing selection of 20th and 21st century music on related ecological themes.
The first concert in Soundstreams’ Encounters series took place at Hugh’s Room on Tuesday evening. It was a presentation of Andrew Balfour’s L’Empire Étrange which is a sort of meditation on the idea of Louis Riel. It begins “Comment chanter Louis Riel, Do you know me?” and that’s the only time his name appears so it’s not, in any way, a narrative of Riel’s life and it’s not hagiographic.
Here’s what’s coming up next month as best I know.
The last concert of Soundstreams 2024/25 season took place at Hugh’s Room on Wednesday evening. Marion Newman and Angela Park gave a recital called Ancestral Voices which premiered the piano version of the Bramwell Tovey song cycle of that name. I had heard the orchestral version with Marion singing and Bramwell conducting the VSO at Roy Thomson Hall when the orchestral version was new. It’s just as powerful in piano score; maybe more so as the singer can more easily convey the nuances of the text. The selection of texts is clever; tracing an arc from an imagined Eden via environmental destruction and the Residential School system to, maybe, the seeds of Reconciliation. The setting serves the text well and Angela made a really good substitute for an orchestra!
Tim Albery’s show; Garden of Vanished Pleasures, about Derek Jarman and his Kent coast garden was supposed to figure in Soundstreams 2020/21 season and we know what happened to that! So, it was reengineered as a film and streamed in September of 2021. I reviewed it at some length for Opera Canada. Now director Tim Albery has recreated it as a live show at the Berkeley Street Theatre.
Here are my top picks for May.
Every year Soundstreams has a competition to find a young artist to curate a main stage concert. This year’s lucky winner is Brad Cherwin, who will need little introduction to readers of this blog, and the concert took place at the Jane Mallett Theatre on Saturday night.
It was, in many ways, a typical Cherwin programme. Some works were played in their entirety while others had their individual movements spread through the programme. The overall theme was “Love and Death” and the programme was divided into four cycles with somewhat enigmatic titles. Twelve instrumentalists, plus soprano Danika Lorèn and conductor Gregory Oh were used in various combinations.
operaramblings 