I’m late to the party on this one. I had set aside time on Sunday to watch Russell Braun, Carolyn Maule and Miriam Khalil’s recital from Koerner Hall (one of the Mazzoleni Songmasters series) when first broadcast. For whatever reason I couldn’t get it to mirror onto the big screen in a watchable way so I ended up watching it on my laptop yesterday. So it goes.
The line up for next season’s Songmasters series in Mazzoleni Hall has been announced.
November 22nd 2020 sees baritone Elliot Madore and pianist Rachel Andrist in a program called Troubled Times with music by Adams, Britten, Higdon and Musto. It really is about time Mississauga boy Elliot was heard in Toronto. he must have sung just about everywhere else by now!
Yesterday afternoon I attended the first concert of the year for the Mazzoleni Songmasters series with Leslie Ann Bradley, Allyson McHardy and Rachel Andrist presenting a programme entitled Sirens; structured around the Four Elements. There was a strong slant towards women composers with the programme anchored around four duets from Elizabeth Raum’s Sirens cycle. Unsurprisingly perhaps a lot of the material was quite unfamiliar with a sprinkling of more familiar fare from the likes of Schumann.
The second half of January kicks off with the COC’s revival production f Rossini’s Barber of Seville, this time starring Emily D’Angelo as Rosina. There are eight performances running to February 7th.
. Sunday 26th at 2pm there’s a concert in the Mazzoleni Songmasters series. It’s called Sirens and features Leslie Ann Bradley, Allyson McHardy and Rachel Andrist in a suitably watery and alluring program.
There’s something very special about a song recital by a really good singer at the top of his/her game in a space conducive to song. The stars conjoined yesterday to yield a recital by Adrianne Pieczonka with pianist Rachel Andrist in the song friendly acoustic of Mazzoleni Hall, as part of the Mazzoleni Songmasters series.
Here’s what’s coming up…
On the 14th at 1.30pm in Walter Hall Jane Archibald and Liz Upchurch are giving a recital under the auspices of the Women’s Musical Club of Toronto (so this isn’t a free concert). The 15th sees the opening of a run of a “play with music” from Theatre Gargantua called The Wager which will run at Theatre Passe Muraille from the 14th (preview) to the 30th. It promises to be a “bold and irreverent investigation into the strange things that people believe”. It’s written by Michael Spence and directed by Jacquie PA Thomas and the cast includes Teiya Kasahara.
The cast of The Wager. Photo:Michael Cooper
Yesterday’s Mazzoleni Songmasters recital featured the relatively unusual combination of soprano Monica Whicher accompanied by Judy Loman on harp. It was a very well constructed and executed afternoon of song. Each set had something to offer.Th first set was of English songs of the 16th and 17th centuries including the very lovely O Death Rock Me Asleep attributed, almost certainly inaccurately, to Anne Boleyn. All very touching and harp seeming very appropriate for songs which were likely intended for lute accompaniment.
… plus a late March addition…
March 29th and 30th Tapestry are doing the Songbook thing again. This is the show where an established singer; Jacqueline Woodley this time, works with emerging artists and a pianist (Andrea Grant) plus director Michael Mori to create a show based on Tapestry’s back catalogue. There are three shows at the Ernest Balmer Studio in the Distillery; Friday at 8pm and Saturday at 4pm and again at 8pm.
Yesterday’s Mazzoleni Songmasters concert featured mezzo Lucia Cervoni, tenor Michael Colvin and pianist Rachel Andrist in a varied programme of song. It kicked off with two songs by George MacNutt; Take Me to a Green Isle, sung by Michael, and O Love, Be Deep, sung by Lucia. Both songs are in a quite meditative mood and served to give us a pretty good idea of what we could expect later on. Michael sings very much in the British manner, which comes as no surprise with his extensive work at ENO and the number of Britten roles he sings. Lucia’s dark, smokey mezzo sounded rather more operatic.
Here’s what’s coming up of note in the next few weeks.
There are some interesting things coming up at the UoT Faculty of Music. On January 17th at 7.30pm there’s an opera double bill in Walter Hall featuring Toshio Hosokawa’s The Raven and The Maiden from the Sea (Futari Shizuka). Kristina Szabó features in the first piece with Xin Wang in the second. The composer conducts. See Wallace’s comment below for more information. Then at 2.30pm on January 20th in the MacMillan there’s the Student Opera Collective show. The libretto, as ever, is by Michael Patrick Albano. This time it’s a black comedy whodunnit about the death of Adriana Lacouvreur.
operaramblings 