Kasper Holten’s Royal Opera House production of Don Giovanni, seen in cinemas, is now available on DVD and Blu-ray. It’s a visually and dramatically complex production so it’s probably as well that there’s plenty of explanatory material on the disks and in the booklet. Es Devlin’s set is a two storey structure that rotates and serves as a screen for a heavy use of video projections by Luke Halls. These start wth the 2065 names of the women Don Giovanni has seduced and seem to be mostly about what’s going on in Don Giovanni’s head. The sequence during Fin ch’han dal vino calda la testa is particularly spectacular.
The 2013 recording of Poulenc’s Dialogues des Carmélites from the Théâtre des Champs Elysées has a cast that reads like a roll call of famous French singers; Petitbon, Piau, Gens and Koch are all there. Throw in Rosalind Plowright and Topi Lehtipuu and one gets some idea of the star power on display.
We got to see Kasper Holten’s new Don Giovanni from the Royal Opera House in Toronto yesterday. It wasn’t live but I really don’t think that matters. I’m not going to dwell too much on production or performance because it’s already been extensively reviewed elsewhere. I concur with the general tenor of the reviews that the singing and acting is extremely strong. Certainly Holten got a more intense performance out of Mariusz Kwiecien than Michael Grandage did at the Met and Veronique Gens was a very fine Donna Elvira. There really weren’t any weak links.
Gluck’s Iphigénie en Aulide is finally available on Blu-ray and DVD. It was staged and recorded as a double bill with Iphigénie en Tauride at De Nederlandse Opera in September 2011 in productions by Pierre Audi. It’s excellent in just about every respect. The cast is to die for, the production is interesting and so is the staging in the rather challenging space of The Amsterdam Music Theatre, which also poses problems for the video director. Backed up, on Blu-ray, by a 1080i picture and DTS-HD-MA sound it’s a pretty compelling package.
Rameau’s Castor et Pollux is a tragédie lyrique in five acts. It’s a mythology based libretto which, ultimately, celebrates the fraternal love of the twins who rise to immortality while rather callously discarding the female human love interest. Pierre Audi’s 2008 production for De Nederlandse Opera nods both to the baroque and to the mythological by staging the work in a rather abstract Sci-Fi sort of way but with moving sets and Fx that suggest, rather than reproduce, the stagecraft of the baroque.
Calixto Bieito’s 2002 production of Don Giovanni from Barcelona’s Liceu theatre is a drink and drug fuelled nightmare. The general atmosphere will be familiar enough to anybody who has been around the “entertainment district” of a large city around chucking out time. Besides chemical stimulants and a great deal of enthusiastic bonking there’s also lots of violence, some of it quite disturbing, and buckets of blood but, as far as I could tell, only one rape. It’s bold and never dull but I think it stretches the libretto to its very limits and perhaps beyond.