Calixto Bieito’s production of Mussorgsky’s Boris Godunov recorded at the Bayerische Staatsoper in 2013 is, unsurprisingly, strong stuff. The central concept is that the political classes “don’t give a fig” for ordinary people and that’s as true , or truer, now than in early modern Russia. In such a world, where the people are manipulated into acting as their “betters” demand, is it possible for a person like Boris, who has risen to supreme power through manipulation and violence, to have a conscience?
Kasper Holten’s Royal Opera House production of Don Giovanni, seen in cinemas, is now available on DVD and Blu-ray. It’s a visually and dramatically complex production so it’s probably as well that there’s plenty of explanatory material on the disks and in the booklet. Es Devlin’s set is a two storey structure that rotates and serves as a screen for a heavy use of video projections by Luke Halls. These start wth the 2065 names of the women Don Giovanni has seduced and seem to be mostly about what’s going on in Don Giovanni’s head. The sequence during Fin ch’han dal vino calda la testa is particularly spectacular.
Zubin Mehta seems to be making a habit of teaming up with Chinese film directors to stage Turandot. This time the director is Chen Kaige (Farewell My Concubine) and he chose Liu King and Chen Tong Xun to do the sets and costumes. The production in question took place at Valencia’s I Festival del Mediterrani in 2008. It’s actually in an opera house rather than on location in the Forbidden City but this production ends up having a rather similar look and feel to Zhang Yimou’s earlier one.