Choices… or not

Hypothetical Baby; written and performed by Rachel Cairns and directed by Courtney Ch’ng Lancaster for the Howland Company and currently playing at Tarragon Theatre, is about abortion… sort of.  It certainly centres on one woman’s abortion; Ms. Cairns’ in fact and the somewhat weird and tortuous processes involved in obtaining what is, after all, a medical procedure in Canadian law.  But it’s also about that loaded word “choice”.  I think I’ve been hearing the slogan “A woman’s right to choose” all my life and I’ve never dissented from it but I’ve never though very hard about what “choice” was being implied.  Rachel Cairns takes us there in all its complexity.  Because one possible choice is to bring another human being into a profoundly problematic world.  Can one afford to raise a child (because even in a rich country like Canada parents don’t get much help)?  What is the carbon footprint of an extra human?  What impact will it have on the lives of everyone concerned.  What if one is a lousy parent?

Rachel Cairns in Hypothetical Baby-photo by DahliaKatz-5167

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In Winter

In Winter is the latest digital offering from the COC and is available free until June.  Described by the COC as a concert that “explores and celebrates winter” it’s more a Eurocentric potpourri of seasonal fare with a decidedly Christmas twist.  It’s a cut above “Christmas’ Greatest Hits” though a John Rutter arrangement of Deck the Halls and I’ll be Home for Christmas are in that vein and even the exuberance and lovely voice of Midori Marsh can’t make more of The Twelve Days of Christmas than is there to be had.

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Virtual Rubies

Like everything else the 2020 Rubies, Opera Canada‘s awards show, is going virtual this year.  It’s going out as a video, produced by Taylor Long of the COC, which will premier at 8pm on November 23rd.  Joyce El-Khoury hosts and Ben Heppner narrates the honouree videos, and then Barbara Hannigan, Michael Schade and Yannick Nezet-Seguin contribute  ‘acceptance’ speeches. Plus there’s a tribute to this year’s posthumous honouree, tenor Edward Johnson.  There are also performances by Russell Braun, Rihab Chaieb, Midori Marsh and Matt Cairns recorded in the studio with pianist and singer co-located. The show will be shown via OC’s Youtube channel.

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There’s much more about the honourees and their careers on the Opera Canada website:

The end of all human dignity

Thomas Adès’ latest opera, The Exterminating Angel, is probably his most ambitious and best to date.  It received its US premiere at the Met in 2017 and was broadcast as part of the Met in HD series, subsequently being released on DVD and Blu-ray.  It’s based on the surrealist 1962 Buñuel film.  It’s a very strange plot.  A group of more or less upper class guests attend a dinner after an opera performance.  All the servants except the butler have (inexplicably) left the house.  The guests seem unable to leave the room they are in nor can anyone from outside enter it.  This goes on for days(??) during which the guests accuse each other of various perversions including incest and paedophilia and turn violent while still expressing delicate aristocratic sensibilities like an inability to stir one’s coffee with a teaspoon.  There’s a suicide pact, a bear and several sheep involved before the “spell” to escape the room is discovered.  What happens afterwards is unclear.  (The opera omits the closing scenes of the film).  It’s very weird and quite unsettling; Huis Clos meets Lord of the Flies?

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COC Season Reveal 2020/21

My predictions were rubbish but we’ll come back to that.  There are two new productions in the upcoming season; Parsifal, which had already been announced and Janáček’s Káťa Kabanová  in a David Alden production with Amanda Majeski in the title role.  This is great.  It’s been far too long since Janáček featured at the COC.

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Fairytales and Lullabyes

Yesterday’s lunchtime concert in the RBA was the last for the year in the vocal series and featured members of the Ensemble Studio.  Rachael Kerr was scheduled to do about half the accompanying but illness prevented her from playing so some hasty reprogramming meant that what we got differed somewhat from the printed programme but it was still a very well put together effort.

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Old Songs, New Songs

Yesterday Matthew Cairns and Rachel Kerr performed an unusually wide range of songs in the Richard Bradshaw Amphitheatre.  It’s part of Matthew’s prep for his CBC recording session which was part of the prize at last year’s Centre Stage and which will be broadcast in the new year.  They kicked off with a contrasting pair of Duparc song’s.  First came the almost dreamy L’invitation au voyage with it’s arpeggio accompaniment followed by the much more dramatic Le manoir de Rosemonde.  These really set the tone for the recital.  There was power where it was needed but also considerable delicacy from both singer and pianist.

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Rusalka – Dream or Nightmare?

David McVicar’s production of Dvořák’s Rusalka opens with a prelude while the overture plays.  We see the Foreign Princess and the Prince.  She appears to be upbraiding him and he is drinking hard.  Are we seeing a failed/forced marriage that in reality the Prince made rather than some preferred alternative?  Is what we see over the next three and half hours some dream version of what might have been?  In this most Freudian of operas, why not?

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UoT’s La finta giardiniera

I don’t think I’m ever going to love Mozart’s La finta giardiniera.  It has some pleasing music, though oddly the two principal characters don’t get much of it, but the plot is ridiculous and it really outstays its welcome.  That said, Michael Patrick Albano’s production for UoT Opera in the MacMillan Theatre at least makes the complexity clear.  We never lose sight of who is who; even if the other characters do, and what logic there is in the plot comes through clearly enough.  Albano sets it entirely realistically in 18th century dress with set elements efficiently dropped in from the fly loft or carried around by a small band of liveried servants.  There’s a fair bit of “park and bark” but then there’s a lot of prosy explaining going on.

Cairns Finta

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