What do we mean by “forgiveness” or “redemption”? Prodigal, written and directed by Paolo Santalucia currently being presented by the Howland Company at Crow’s Theatre asks us to consider just that. It’s a curiously structured play. On one level it’s a black comedy about a seriously dysfunctional elite family but there’s an intro to each act in which a preacher exegises on the Parable of the Prodigal Son and the Parable of the Lost Sheep. We are invited to compare the characters we are about to see with the dramatic personae of Christ’s teaching. But are they really comparable?”
Here are a few more gigs that I didn’t check in my earlier February post.
October 11th to November 6th at Crow’s Theatre it’s Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo. “During the chaos of the 2003 American occupation of Iraq the lives of two American marines intersect with an Iraqi gardener as they search through the rubble of war for friendship, redemption, and a toilet seat made of gold.”
October 26th at 8pm at Koerner Hall Philippe Jaroussky is appearing with Ensemble Artaserse. It’s a rare chance to hear somewhat controversial countertemor Jaroussky sing with orchestra in an ideal venue. The concert includes works by a range of baroque composers. Some of the material is relatively familiar; “Cara sposa” from Rinaldo for example, but much is by less well known composers such as Hasse and Ferrandini. Artaserse Ensemble is a leading period instrument band that, besides Jaroussky, has appeared with such singers as Cecilia Bartoli and Andreas Scholl.
operaramblings 