Twelfth Night in the park

This year’s CanStage Dream in High Park presentation is Twelfth Night adapted and directed by Gregory Prest. He takes a pretty straightforward approach. He has added a sort of prologue in which Feste speaks of the relationship between Love and Madness (and makes a few jokes about the audience and their picnics). The Love and Madness thing seems to be the central concept as far as there is one. The first two scenes are reversed too. We first meet Viola on the beach before Orsino gets to make his famous “If music be the food of love” speech. And, of course, there are cuts to fit it into the Dream time slot of 90-100 minutes. None of this really makes a whole lot of difference. The show comes across as a well acted, crisply directed, perfectly intelligible comedy and hurrah for that!

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Three Sisters

A version of Chekhov’s Three Sisters opened last night in a collaboration between Hart House Theatre and the Howland Company.  It’s described as “Adapted and directed by Paolo Santalucia after Chekhov” .  What this means is that is given a contemporary Canadian setting with changed character names and so forth.  The structural purpose of each scene, pretty much each speech, remains the same but the words are not a literal translation.  And, Alex Vershinin is a woman lieutenant colonel in the RCAF which gives a very different spin to her “affair” with Masha.

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