Langridge’s Grimes revisited

Almost fourteen years ago I reviewed the DVD of the 1994 ENO production of Britten’s Peter Grimes.  The DVD was so bad technically that it was quite hard to decide much about the merits of the performance although it was obvious that Philip Langridge’s Grimes was something special.  On June 1st this year the BBC rebroadcast the recording in HD on BBC4.  I have a copy of that broadcast and it’s way better than the North American DVD release and so I wanted to clarify and, where appropriate, correct what I said in that earlier review.

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Three Islands

Three Islands is a UoT Opera show that opened at the Sandra Faire and Ivan Fecan Theatre at York University on Thursday night.  The show is conceived and directed by Tim Albery who has wrapped two 20th century English language one act operas in a wrapper crafted from Kaija Saariaho’s Tempest Songbook.

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Ariel’s Hail from Tempest Songbook (Saariaho): Prospero – Ben Wallace, Ariel – Aemilia Moser

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The Bright Divide

Soundstreams’ concert on Friday evening in the new TD Music Hall at Massey Hall was inspired by the Rothko Chapel in Houstion, Texas.  It featured two works; Morton Feldman’s Rothko Chapel, commissioned for the opening of the chapel, and Cecilia Livingston’s mark, commissioned for Friday’s concert.  Both featured chorus (Soundstreams Choir 21), viola (Steven Dann), celesta (Gregory Oh) and percussion (Ryan Scott).  mark also featured baritone Alex Samaras).  Both were staged by Tim Albery with lighting by Siobhán Sleath and projections by Cameron Davis.

The Bright Divide/ Soundstream

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Soundstreams 2023/24

soundstreams2324Soundstreams has announced the line up for the 2023/24 season.  First up, and very exciting, is The Bright Divide, which will play Nov 10th and 11th at the TD Music Hall (the new performance space at Massey Hall).  It’s a staged show, directed by Tim Albery and featuring two works inspired by the work of Mark Rothko.  There’s Morton Feldman’s Rothko Chapel for viola, timpani and choir and a new work by Cecilia Livingston; mark for viola and voice.

Electric Messiah is back.  This time it’s at Theatre Passe Muraille from December 14th to 17th.  Adam Scime is in charge again for the Messiah where you don’t know what to expect.

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Les shorts qui chantent

Tapestry Briefs: Les shorts qui chantent opened last night at the Alliance Française.  It’s a twist on the traditional Tapestry Briefs show.  This time it’s bilingual with the twelve sketches emanating from a bilingual LibLab held in Toronto in conjunction with Opéra de Montréal and Musique Trois Femmes.  The short scenes are directed by Tim Albery and make really interesting use of video projections in the very Intimate theatre at the AF.

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Mansfield Park

Jonathan Dove’s Mansfield Park opened last night at UoT Opera in a production by Tim Albery.  It’s a really interesting show that builds up in “layers” to a very satisfying whole.  The Austen  novel, of course, is very self consciously a novel.  There’s no pretence at “immersion”.  The author is both telling the story and commenting on it for the benefit of you, the reader.  Librettist Alasdair Middleton both builds on this and does a quite brilliant job of compression to bring in a condensed, and only slightly simplified, version of the story in under two hours.

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I have a Japanese carving

Hell’s Fury(*) is a two man show about Hanns Eisler conceived and created by Tim Albery.  It’s focussed on his time in the United States and, somewhat, on his return to the DDR.  It combines songs from the Hollywood Songbook (poems by Brecht and others set by Eisler), dialogue and projections to tell the story of Eisler’s arrival in Hollywood, his work in the US, his deportation as a result of the “work” of the House Un-American Activities Committee and his return to the GDR and struggles to come to terms with the Stalinist culturecrats leading ultimately to drink, depression and death.

Russell Braun in Hell's Fury The Hollywood Songbook_Photo by Trevor Haldenby (2)

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Arabella at the COC

Tim Albery’s production of Richard Strauss’ 1933 opera Arabella, first seen at Santa Fe in 2012, finally made it to Toronto last night.  It’s, I believe, a Canadian premiere for the piece, which is a bit shocking for an important opera by a major composer.  It’s not a perfect piece.  The librettist, the incomparable Hugo von Hofmannsthal, died before he and Strauss could revise the second and third acts and there are places where it feels a bit unfinished but it’s still an impressive work.  The plot’s a bit contrived perhaps, though no more so than many more famous operas, but there’s real depth of humanity and Mandryka, the landowner/tribal chief from the southern fringes of the Habsburg empire, is a really fascinating study.

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UoT’s Imeneo

Imeneo is one of Handel’s less well known operas; perhaps deservedly so.  The plot and the libretto are weak and the music pretty variable.  Charles Jennens, the librettist for Messiah, descibed it as “the worst of all Handel’s compositions”.  It does have the merit of being short.  Most recent recordings come in around two hours and this UoT Opera production, rearranged and cut by Tim Albery, comes in at 100 minutes spread over two acts.

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