It’s the logical follow up to Alexander Neef’s speech on the opening night of The Marriage of Figaro run. The COC has announced the creation of Opera Access for New Canadians, a community outreach and engagement initiative. It will offer newcomers to Canada, including immigrants and refugees, and new Canadian citizens access to dress rehearsals and selected performances. The first phase begins this spring with the COC joining the Institute for Canadian Citizenship’s Cultural Access Pass (CAP) program, which offers new Canadian citizens one year of complimentary admission to more than 1,200 cultural attractions across the country. (There are 1,200 cultural attractions in Canada, who knew?) Continue reading
Opera Access for New Canadians
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As we approach All Fools Day the calendar starts to get busier. On Tuesday 29th March there’s a concert at lunchtime in the RBA called The Four Tenors. In this case it’s Andrew Haji (lucky St. Louis folks can see him as Rodolfo next season), Jean-Philippe Fortier-Lazure, Charles Sy, and Aaron Sheppard. The program is a bit predictable and, yes, there are Neapolitan songs, though not, at least according to the on-line version O sole mio. Also no Nessun dorma so I think we have a handle on the possible encores.
At Walter Hall last night to see the Faculty Artists Ensemble with Megan Quick and Andrew Haji conducted by Uri Mayer perform the chamber versions of Das Lied der Waldtaube from Schoenberg’s Gurrelieder and Mahler’s Das Lied von der Erde in the Schoenberg arrangement. The main reason for going was to get as chance to hear Megan in something more substantial than the things I’ve seen her in with UoT Opera. Plus, a chance to hear Andrew is always very welcome.
On the face of it the idea of reorganising Schubert’s Winterreise for three female voices and staging it as a kind of allegory isn’t an obvious one but Collectìf’s As a Stranger worked remarkably well. The arrangement and distribution of the numbers was judicious; most of the songs went to a single singer, some were split and occasional and effective use was made of two or three voices in unison. The idea behind the split being to make mezzo Whitney O’Hearne the narrator/traveller while sopranos Jennifer Krabbe and Danika Lorèn embodied the malign and benign aspects/characters of the story. Heliconian Hall doesn’t offer a lot in the way of staging possibilities but well thought out costumes, a few props and a considerable, and quite sophisticated, video element added up to a pretty satisfying experience. In the last number Jennifer relieved Tom King at the piano to allow the Leierman to stagger off into the wintry night. All well thought out and well executed.
With Easter almost upon us it’s not surprising that the upcoming week is a bit light. Tonight Danika Lorèn and friends at Collectìf have a show at Heliconian Hall at 7.30pm. It’s called As a Stranger and is their take on Schubert’s Winterreise. I’ve been quite taken by this young group’s efforts to date. Tickets are available 
The TSO’s New Creations Festival wrapped up last night at Roy Thomson Hall with a concert featuring Brett Dean’s suite Knocking at the Hellgate, drawn from his 2004 opera Bliss. But first came a piece by Radiohead guitarist Jonny Greenwood. Water is a tone poem (if one can still use that term) inspired by soome lines from Philip Larkin:
