O Fortuna

I attended the second of two performances of their season opener by the Toronto Mendelssohn Choir at Roy Thomson Hall last night.  It was an enjoyable and well constructed programme.  It opened with two pieces by composer in residence Tracy Wong.  Patah – Tumbuh (Broken – Renewed), for choir and children’s choir (Toronto Children’s Chorus) riffs off Malaysian proverbs and gamelan.  It’s an upbeat, rhythmic piece that got a really nice performance, especially from the children.  Then they got their own place in the sun for a medley of Malaysian folksongs; which was also fun.  Was this the first time Malaysian music has been performed at Roy Thomson?

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Lively Pirates at TOT

Toronto Operetta Theatre opened a run of Gilbert and Sullivan’s The Pirates of Penzance at the Jane Mallett Theatre last night.I think it’s got everything one could expect from a modest budget G&S production and maybe a bit more.  Bill Silva-Marin’s production is energetic with a lot of stomping, marching and mincing going on which makes the small stage (even smaller than usual as the band is on stage) look lively and busy.  The chorus is good and sings idiomatically.  The principals also appear to understand the genre and there’s some good acting and good, at times excellent, singing.

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We’re Late!

werelateThe Happenstancers latest concert We’re Late! happenstanced on Saturday evening at Redeemer Lutheran.  It was a typical Happenstancers sort of event with chamber music works for various forces split up into their movements with the components then rearranged to make an interesting line up.

Lukas Foss’ Time Cycle provided the opening piece which also provided the title for the concert as a whole.  It’s a setting of Auden for soprano and chamber ensemble and begins “Clocks cannot tell our time of day”.  Which was pretty much the theme for the evening.  This was followed by Toshi Ichiyangi’s Music for Electric Metronomes which had the whole ensemble banging things rhythmically and making stylsed gestures.  Then came the first of three parts of rather a good musical joke; John Cage’s 4’33” arranged into three movements for different forces. which as might be expected cropped up at intervals during the show.  For the record the movements were scored for piano and percussion, conductor and oboe and percussion.

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In Time

Friday night saw the first concert of the Toronto Mendelssohn Singers’ 2023/24 season at Jeanne Lamon Hall.  It was an intriguing programme both in the choice of music and in the use of dance in the presentation.  The bookends were two works written in 1707 by two 22 year olds; JS Bach and GF Händel.  The sandwich filling, as it were, was To the Hands by Caroline Shaw.

Bach’s Christ lag in Todesbanden BWV 4 takes us on a journey from dark to light with each movement or verse being a variation on the basic Lutheran hymn from which the text is taken.  It uses choir, strings, harpsichord and rgan to good effect.  The bonus here was a black clad Laurence Lemieux dancing an expressive, if somewhat lugubrious, choreography on the stage behind the musicians.

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The Enticing Sky

rkrehmSaturday afternoon at 27 North Sherbourne Rachel Krehm and Janelle Fung presented an art song recital entitled The Enticing Sky.  The material chosen was interesting with a heavy bias to women composers, living composers and Canadian composers; sometimes all three at once.

We got extracts from Come Closer; settings of the poetry of Elizabeth Krehm by Ryan Trew, Ethel Smyth’s Three Songs of the Sea, Dorothy Chang’s Songs of Wood and Water, Anna Pidgorna’s Amphráin Eibhlín (the only non English language text) and Cecilia Livingston’s luna premit. Continue reading

Canoe

Canoe; libretto by Spy Dénommé-Welch, music by the librettist and Catherine Magowan, had its world premier at Trinity St. Paul’s on Friday evening.  It’s a complex work and adopts some interesting approaches to telling an Indigenous story within the conventions of European opera.  It’s effectively directed, on quite a minimal but functional set (Lindy Kinoshameg), by Dénommé-Spy and Moynan King.

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(L-R): “Gladys” Nicole Joy-Fraser, “Debaajimod” Michelle Lafferty, “Tree Spirit” Conlin Delbaere-Sawchuk, “Constance” Kristine Dandavino

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Ukrainian Art Song Project – round 5

Sunday afternoon in the Temerty Theatre the participants in this year’s Ukrainian art song intensive presented the results of their efforts during the week.  There were eight singers (nine if one adds in mentor Benjamin Butterfield who came in for a couple of numbers).  Steven Philcox and Leanne Regehr shared the piano parts.

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It’s a wrap

Saturday evening in Walter Hall saw the conclusion of this year’s Toronto Summer Music with a concert that showcased different parts of the festival programme.  There was the community element.  The Community Choir, with their professional section leads and conductor Jamie Hillman produced very competent versions of Mozart’s Veni Sancte Spiritus and Lydia Adam;s arrangement of the rankin Family’s We Rise Again.  The omnicompetent and omnipresent Rachael Kerr accompanied on piano.

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Filling big shoes

Sondra Radvanovsky was due to give a recital in Koerner Hall on Thursday night but she cancelled due to illness.  Toronto Summer Music did extremely well to find a replacement of the calibre of American mezzo J’nai Bridges at such short notice.  While many people turned their tickets in for refunds and others, it seems, just didn’t show up, those who did were treated to a performance by Ms. Bridges, accompanied by the ever reliable Rachel Kerr, that most certainly did not disappoint.

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Tango in the Dark

Toronto Summer Music’s presentation in the Isabel Bader Theatre on Monday evening featured the Payadora Tango Ensemble and dance company PointeTango.  It was very much a two part show.  The first half featured typical Payadora fare; some original compositions, some arrangements of standards, all in a tango style.  And all, of course, performed with the excellence we have come to expect from this group.  The twist here was that many of the numbers were accompanied by dance by Erin Scott- Kafadar and Alexander Richardson of PointeTango.

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