Steamy Orpheus at an infernally hot Trinity St. Paul’s

Toronto City Opera opened a two show run of Offenbach’s Orpheus in the Underworld at (a very steamy) Trinity St. Paul’s on Saturday evening. It was auspicious in several ways. It, technically, marked the 80th anniversary of the organisation, which apparently had its origin at Central Tech in 1946 followed by many years as a TDSB Adult Ed programme at the Bickford Death Trap Centre. But really, TCO as we know it began life with the split from TDSB in 2018 and what’s notable about this latest production is that it’s their first with orchestra; the North York Concert Orchestra to be precise. And that really is a milestone!

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Lively Pirates at TOT

Toronto Operetta Theatre opened a run of Gilbert and Sullivan’s The Pirates of Penzance at the Jane Mallett Theatre last night.I think it’s got everything one could expect from a modest budget G&S production and maybe a bit more.  Bill Silva-Marin’s production is energetic with a lot of stomping, marching and mincing going on which makes the small stage (even smaller than usual as the band is on stage) look lively and busy.  The chorus is good and sings idiomatically.  The principals also appear to understand the genre and there’s some good acting and good, at times excellent, singing.

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