Here’s what I know about so far for April.
On April 6th at 1.30pm in Walter Hall, Music in the Afternoon is presenting a concert featuring Marion Newman, Melody Courage, Evan Korbut and Gordon Gerrard in a mix of classical song and contemporary works on Indigenous themes including music by Ian Cusson, Bramwell Tovey and Tomson Highway.
Later that day, at 7.30pm at Koerner Hall, Opera Atelier have the first of three performances of Handel’s The Resurrection. This is the fully staged version of the production that streamed during lockdown. There are further performances on the 8th at 7.30pm and the 9th at 2.30pm.
From the good people of Silicon Valley, who brought us the iPod and the iPad and the iDontknowwhatelse, we now have iSing Silicon Valley; a choir of young women. Their new album is titled love and light and features the choir with, on some tracks, harpist Cheryl Fulton and soprano Estelelí Gomez in settings of Latin texts ranging from Hildegard of Bingen to contemporary composers. It’s all sort of in the range of plainchant to polyphony with young bright vibrato-less voices with maybe a New Agey touch (though that may be guilt by association),
field studies is a CD of chamber music by Canadian composer Emilie Cecilie Lebel. There are five tracks on the record; each around twelve minutes long, scored for various small forces and recorded in different locations.
To the intimate (i.e. tiny) Array Space last night for a concert by the Happenstancers who, in this iteration, consisted of Brad Cherwin – clarinet, Madlen Breckbill – viola and Micah Behr – piano. and, in the first number, viola.
Here are a few more events not listed in my 
operaramblings 