It was National Indigenous People’s Day so what better way to celebrate/commemorate than go listen to an Indigenous artist perform in the music garden ; where the trees almost stand in the water.
We got an hour of music from Inuk soprano Deantha Edmunds; mostly from her CD Connections. These songs are reflections; some in English, some in Inuktitut, on aspects of life as an Indigenous person in contemporary society and sit somewhere between art song and singer/songwriter territory. Subject matter ranges from traditional Indigenous children’s games , to the Northern landscape, to the spirits of Rain and Thunder and, inevitably and very, very sadly to Residential Schools and Murdered and Missing Indigenous Women and Two Spirited People. They are varied, skilful and heartfelt. Continue reading
Just another Saturday in Toronto? Not really. I was at two shows/events a few blocks apart; one in the morning, one in the evening, and the experiences were very different. In the morning I was at Roy Thomson Hall for a “conducting masterclass” under the auspices of the Women in Musical Leadership programme. I don’t think such events are at all common and it was certainly a first for me. The set up was that four young women conductors (Maria Fuller, Jennifer Tung, Naomi Woo and Juliane Gallant) got to rehearse the TSO in standard repertoire with principal conductor Gustavo Gimeno providing feedback and suggestions. Two of the ladies worked on Brahms’ First Symphony and the other two on Tchaikovsky’s Fifth. 
So what’s coming up in July? Let’s look first at a few late June shows I haven’t mentioned before.
It’s a bit of a thing with me. I tend to prefer staged versions of the Handel English language oratorios to the Italian operas. I know it’s a view I share with quite a few singers, including Ryan McDonald and Anna Sharpe with whom I was chatting about it on the weekend. But, it would seem, this opinion is not shared by opera house managements (not to be confused with audiences!). 
operaramblings 