Äneas Humm and Renata Rohlfing’s new album Sehnsucht features songs from four composers whose careers were derailed by Nazi persecution of the Jews. Three of them; Arnold Schoenberg, Alexander von Zemlinsky and Eric Zeisl were Viennese composers who left for the United States though none of them managed to make the kind of success (financially at least) that Korngold and Weill achieved, though Schoenberg’s reputation was sufficiently established that he survived the transition pretty much intact. The fourth composer is Henriette Bosmans who was half Jewish and survived the war in Amsterdam though unable to perform after 1942. The songs by the Germans are settings of German texts. Bosmans’ songs are in French. Continue reading
Composers who fled the Nazis
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Infinite Voyage is billed as the final album from the Emerson Quartet capping a long and illustrious career. It’s also a collaboration with Barbara Hannigan so it’s perhaps not surprising that it includes music by Berg, Schoenberg and Hindemith though Chausson’s Chanson perpétuelle belongs to a rather different style.
There was never a chance that Emily D’Angelo’s solo recital at Koerner Hall was going to be a steady procession of German lieder and French chansons with the odd Broadway number thrown in and it wasn’t. It was what D’Angelo fans would expect and (some of us at least) crave; lots of women composers and lots of contemporary music. There were five sets.
Last night the Happenstancers presented a short but extremely enjoyable Pierrot themed concert at 918 Bathurst. The major work, unsurprisingly, was Schoenberg’s melodrama Pierrot lunaire for voice and chamber ensemble. It was presented in two parts. The first fourteen poems formed the first half of the programme which closed out with the concluding seven. It was extremely well done. Danika Lorèn was an excellent choice as the voice. She has the technique for Schoenberg’s tricky sprechstimme as well as the innate musicality and sense of drama the piece needs. The standard “Pierrot ensemble” is perfectly suited for the Happenstancers typically eclectic mixing of instruments. Here we had Brad Cherwin on clarinets, Rebecca Maranis on flutes, Hee-See Yoon on violin and viola, Sarah Gans on cello and Alexander Malikov on piano. Simon Rivard conducted. Skilful playing and well timed interplay between instruments and voice made for a most satisfactory experience. 
A couple more things coming up this month.
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