Searing Elektra from Ed Gardner

Ed Gardner and the Bergen Philharmonic have produced some stunning recordings for the Chandos label.  The new release of Richard Strauss’ Elektra is no exception.  Indeed this is likely now the first choice audio recoding of this work.

It’s a very strong cast.  Iréne Theorin has enough heft for the title role but she’s also surprisingly lyrical where appropriate,  Jennifer Holloway is a sweet toned and sympathetic Chrysothemis and Tanja Ariane Baumgartner sounds suitably unhinged as Chrysothemis without sounding like her voice is past its sell by date.  Iain Paterson is an interesting Orest.  He’s kind of eerily creepy especially in his first scene with Elektra.  I rather liked it.  All the other roles are perfectly adequate too and so is the chorus.

But isn’t the real glory of Elektra the orchestral writing?  Gardner gets the most out of it with a reading that’s both very dramatic and surprisingly lyrical.  It’s taut too.  The tension just goes on and on.  The Bergen players respond splendidly.

The recording was made in the Grieghallen in December 2023 from live concert performances.  It’s splendid and has been released as a hybrid SACD.  The high resolution tracks are as good as any recording I’ve heard but this does mean that the dynamic range is realistically extreme!  With the volume set to a realistic level for the voices, the orchestral climaxes are very loud indeed so unless you have no neighbours within miles you might prefer headphones.  The climaxes though are super clean and detailed so not particularly fatiguing to listen to.  There’s a booklet with useful info and full text and translation.  The SACD physical release can, of course, be played like a standard CD on most CD players and the album is also available digitally as MP3 and lossless in 44.1kHz/16 bit and 96kHz/24 bit versions.

And what did my Elektra think?  She thought it was perfect music for an extended nap!

Catalogue information: Chandos CHSA 5375(2)

Amidst the Shades

Amidst the Shades is a new album from British soprano Ruby Hughes accompanied by Jonas Nordberg on lute and archlute and Mime Yamahiro Brinkmann on viola da gamba.  It’s a very beautiful record starting, as one might expect, with a selection of English song from the 16th and 17th century plus some pieces for solo lute.  There are songs by John Dowland, including the well known Can She Excuse My Wrongs (possibly to a text by Robert Devereux; if so clear who “she” is).  Robert Johnson makes an appearance with three songs including two Shakespeare settings.  John Danyel also features along with instrumental music by Anthony Holborne and Tobias Hume. Continue reading

Sky of My Heart

New York Polyphony are a quartet of singers; Geoffrey Williams – counter-tenor, Steven Caldicott Wilson and Andrew Fuchs – tenors and Craig Phillips – bass.  On Sky of My Heart they mostly sing unaccompanied but are joined by the LeStrange Viols (Loren Ludwig and John Mark Rozendaal – treble viol, Kivie Cahn-Lipman – tenor viol, Zoe Weiss and Douglas Kelley – bass viol).

The album is a mix of Renaissance and contemporary pieces; most of the latter composed for NYP.  They are very good singers with terrific control and a very clean largely vibrato free sound that works well for most of the music on the disk.  Some of the material is religious; William Byrd’s setting of Ecce quam bonum, Becky McGlade’s setting of Prudentius’ Of the Father’s Love Begotten and Ivan Moody’s settings of three excerpts from the Song of Songs.  All of these are unaccompanied in a churchy sort of style. Continue reading

Another nostalgic re-release

Following on from the du Pré cello concerto recordings I was also fortunate enough to get my hands on another Warner Classics remaster of old EMI recordings.  This one consists of the Barenboim/Klemperer recordings of the five Beethoven piano concertos and the Choral Fantasia recorded with the New Philharmonia Orchestra and the John Allis Choir back in 1967.  I used to own these on vinyl decades ago.  Now they are available as a three SACD set.

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The complete du Pré

I first started to think seriously about the late Jacqueline du Pré when I saw the Woolf/Vavrek opera Jacqueline in 2020 at Tapestry.  Subsequently I listened to the CD release and attended the remount at Tapestry in February this year.  Then I saw that all of her concerto recordings for HMV (back catalogue now owned by Warner Classics) made between 1965 and 1970 had got a major facelift along the lines of the Solti Ring.  The original analogue tapes have been digitized at 192kHz/24 bit using the latest technology and then remastered for SACD.  The result is a four hybrid SACD box set called The Great Cello Concertos. Continue reading

Schubert’s Four Seasons

Schubert’s Four Seasons is a recital disk on the BIS label by soprano Carolyn Sampson and pianist Jioseph Middleton.  It contains a generous 75 minutes of music made up of twenty Schubert songs about the seasons and nature generally (also death… there’s lots of death).  Most of the songs are less well known ones but there are some more frequently heard one likes Die Forelle, Im Frühllind and Der Hirt auf dem Felsen (which also features Michael Collins on clarinet).

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joy & asymmetry

joy & asymmetry is a new recording from the Helsink Chamber Choir and their conductor Nils Schweckendiek.  It consista of music by Finnish composers Kalevi Aho and Einojuhani Rautavaara, although by no means all the texts are in Finnish.

There’s some interesting music on the recording but a lot of it is relatively stately, layered, polyphony.  That’s not exactly unusual for contemporary choral music and if it’s your thing there’s a lot to like her.  I’ll admit though to finding much of it quite soporific.

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Greene’s Jephtha

Fourteen years before Handel’s 1751 work Jephtha Maurice Greene produced a different English language oratorio on the same theme and with the same title.  It’s now been recorded by the Early Opera Company.

Thje story is taken from Judges and concerns the recall of Jephtha from exile to lead the Israelite army against an Ammonite invasion (the people from the East bank of the Jordan not the cephalopods).  Jephtha promises Jehovah that if he is victorious he will sacrifice the first creature “of virgin blood” he meets (shades of Idomeneo) which, of course, turns out to be his daughter.  There’s no divine intervention and no happy ending.

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Rooms of Elsinore

roomsofelsinoreRooms of Elsinore is a new CD of music related to Brett Dean’s opera Hamlet.  Those familiar with the opera will quickly recognise the sound worlds of all five pieces.  Two began life as “character studies” for Ophelia and Gertrude respectively and so set words by Matthew Jocelyn.  The first, And once I played Ophelia is scored for soprano and chamber orchestra.  Some readers may recall Barbara Hannigan performing it with the TSO in 2019.  Here it’s performed by Jennifer France with the Swedish Chamber Orchestra and the composer.  It’s a tough sing with some very high sections and staccato repeated phrases.  She does a fine job. Continue reading