The First Viennese School

Wednesday’s recital in the RBA was given by UoT Opera.  It consisted of a series of arias/scenes drawn from the operas of Mozart, Haydn and Beethoven creatively staged by Mabel Wonnacott.  It was lively and a lot of fun and the vocal standard was very high, especially for so early in the academic year.

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Music for Reconciliation

Tuesday was the National Day for Truth and Reconciliation and the COC programmed Innu soprano Elisabeth St-Gelais, with pianist Louise Pelletier, for the lunchtime concert series.  They began very appropriately with Ian Cusson’s Le Récital des Anges; settings of two elegiac poems by Émile Nelligan about death and childhood.  They are very beautiful and deeply sad songs that seemed just right for the occasion.

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Rebanks Vocal Showcase

Tuesday’s lunchtime concert in the RBA featured soprano Teresa Tucci and baritone James Coole-Stevenson; both Rebanks fellows at the Conservatory, and pianist Vlad Soloviev.  It was a carefully curated concert with a thematic line and featured far more duets than one usually gets in such a show.

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Ensemble Studio kick off

The free concert series in the RBA kicked off on Wednesday with, as usual, a performance by the artists of the COC’s Ensemble Studio.  Owing to illness only five singers performed and only one of those, Emily Rocha, was a returnee.  The other four singers and both pianists were newcomers.  It was short but enjoyable.

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Falling into September

Life slowly returns to some version of normal.. Here’s what I’m seeing so far for Sptember.

  • 5th September – Apocryphonia have a PWYC concert at St. Thomas’ Huron Street featuring music from the Hundred Years War.
  • 11th September – Lucy Kirkwood’s The Welkin opens at Soulpepper.  Previews are the 4th to the 10th with the  run extending to October 5th.
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Lauren Fagan in the RBA

Last Wednesday’s lunchtime recital was given by soprano Lauren Fagan; currently appearing as Tatyana in the COC’s Eugene Onegin, and pianist Rachael Kerr.  Things kicked off with a selection of three songs from Berg’s Sieben Frühe Lieder.  What struck me here, apart from some really nice expressive singing, was Lauren’s ability too spin a line out coherently.

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More farewells

The first of this year’s Les Adieux concerts for departing members of the Ensemble Studio took place Tuesday lunchtime in the RBA.  It was supposed to feature Brian Cho, Mattia Senesi, Korin Thomas-Smith and Karoline Podolak but Karoline was indisposed so Emily Rocha (not leaving) jumped in at the last minute.

The rearranged programme worked pretty well with maybe a bit more opportunity for the pianists.  Sio, Mattia  played the Intermezzo from Brahms’ Op 118. No. 2, which was very nicely done and Brian closed things out with just the piano part from Schumann’s Widmung which works surprisingly well, at least if one is familiar with the song. Continue reading

TSM sneak preview

Last Tuesday lunchtime in the RBA we got a sneak preview of some of the music that will feature at this year’s 20th anniversary Toronto Summer Music.

There was soprano Caitlin Wood with Philip Chiu performing three French chansons; at least one of which will feature in Mary Bevan and Roger Vignoles’ Walter Hall recital.  Cait herself will be performing as part of the cast of Brian Current’s opera Missing during the festival.

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May 2025

Here are my top picks for May.

  • The Cunning Linguist opens at Factory Theatre on May 1st.  Previews are April 26th, 27th and 30th and it runs to May 11th.  A young queer Mexican woman, with her sidekick God, decides to move to Toronto…
  • Eugene Onegin in the Robert Carsen production opens May 2nd at the COC.  Runs until May 24th.
  • On May 3rd Confluence has a Teiya Kasahara curated show called Project T: Home Video (this is a change from the originally scheduled May 2nd/3rd show).

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