This year’s 21C Festival opened last night at Koerner Hall with Turkish pianist and composer Fazil Say performing some of his works with the help of a few friends. It was a pretty varied evening considering all the works were by one person. The opening pieces Gezi Park 2 and Gezi Park 3 are reflections on the Gezi Park protests of 2013. The first is for solo piano and is by turns dramatic and meditative. It uses a fair amount of extended piano technique and is highly virtuosic with great rhythmic complexity. In the second piece the composer was joined by a string quartet (Scott and Lara St. John – violins, Barry Scxhiffman – viola and Winona Zelenka – cello) and mezzo-soprano Beste Kalender. This work was both expressive and dramatic building on the musical language of the first piece with the additional textures of the strings (more extended technique) and a lot of rather beautiful vocalise from Beste. It’s an impressive piece.
Mezzo-soprano Beste Kalender and pianist Rachel Andrist are performing on line on Tuesday evening (March 24th) at 8.30pm (Toronto time). The recital is titled A Spring Recital: From Venice to Constantinople and will feature music by 
Eight drinkers singing. Or vice versa. I forget. Anyway, last night’s extravaganza from Tongue in Cheek Productions and Opera5 at Gallery 345 was a blast. The schtick was that eight people got to choose a cocktail and a related song set while the audience could purchase their choice(s) of the said beverages. There was a lot of clowning around and some very good singing all backed up by a very serious looking Trevor Chartrand at the piano. 
Here are a few things I omitted from the listings posting on the weekend. First off, Opera Pub from Against the Grain Theatre on the 1st at 9pm. You can do Centre Stage at the Four Seasons Centre and still make it down to the Amsterdam Bicycle Club for less formal fun.
In my April Round up I inadvertently omitted Toronto Operetta Theatre’s upcoming production of Offenbach’s La Belle Hélène which plays April 27th to 29th at the Jane Mallet. It’s a good looking cast including Beste Kalender, Adam Fisher and Lynn Isnar. Guillermo Silva-Marin directs and Peter Tiefenbach conducts. Those few days at the end of the month are insane but it’s probably worth trying to fit this one in.
operaramblings 