A Play in Two Halves

Joanna Murray-Smith’s 2009 play Rockabye is currently playing at Factory Theatre in a production directed by Rob Kempson.  It’s an odd play.  Ostensibly it’s about an aging rock singer; Sidney Jones (played by Deborah Drakeford), who hasn’t achieved much for 20+ years and desperately needs her come back album to be a success before she’s written off as a has been.  She’s also obsessed with adopting an African baby.  We’ll come back to that.  She’s at the centre of a coterie of personal staffers and hangers on who are almost as shallow and self obsessed as she is.  There’s the manager; Alfie (Sergio di Zio) endlessly congratulating himself on sticking with Sidney rather than taking on a “hot sixteen year old”.  There’s boy-toy Jolyon (Nabil Trabousi) who has curtain phobia, a U-boat fetish and a big dick. Sidney’s every wish is the concern of her plummy lesbian publicist Julia (Julie Lumsden) who races around to locate the absolutely vital Peruvian wheatgerm or to send to Uzbekistan for a swatch of cloth to repair a button.  Only the cook/maid Esme (Kyra Harper) seems to have any connection to reality.

Christopher Allen and Kyra Harper_Rockabye - ARC_Sam Moffatt

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Martyr

ARC’s production of Marius von Mayenburg’s 2012 play Martyr opened at the Aki Studio last night.  It’s presented in an English translation by Maja Zade and directed by Rob Kempson.  I think it’s more than a just a direct German to English translation.  names have been changed for instance and there are definite shifts in directorial approach from the Berlin production.  I think the best way to understand what this is all about is to start with the original German version and how it may have looked to a Berlin audience and then look at how time, space and directorial decisions may affect audience reception.

1. Nabil Traboulsi and Adriano Reis_MARTYR_ARC 2023 Photographer_ Sam Moffatt

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Gloria

Brandon Jacobs-Jenkjins’ play Gloria, directed by André Sills is currently playing at Crow’s Theatre.  It’s a hard play to describe as spoilers must be avoided and it works at many different levels.  The initial setting is the offices of a New York “culture” magazine where we meet various members of the highly dysfunctional workforce.  A shocking event happens and the rest of the play explores how various parts of the media industries relate to such events in the internet age along with issues related to who really “owns” an experience and in what sense does that “ownership” validate or privilege their version of events versus any other.  One of the ideas here is that the “product” has become in every way secondary.  The magazine is little more than a prop for blog posts.  Book publishing is largely geared around selling the movie or TV rights.  Movie and TV production is largely about providing a package for prefabricated celebrities to feature in.  The irony of a print and internet reviewer writing about all this is not lost on me!

athena kaitlin trinh and Nabil Traboulsi in GLORIA_photo by Jeremy Mimnagh

athena kaitlin trinh and Nabil Traboulsi

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