May 2025

Here are my top picks for May.

  • The Cunning Linguist opens at Factory Theatre on May 1st.  Previews are April 26th, 27th and 30th and it runs to May 11th.  A young queer Mexican woman, with her sidekick God, decides to move to Toronto…
  • Eugene Onegin in the Robert Carsen production opens May 2nd at the COC.  Runs until May 24th.
  • On May 3rd Confluence has a Teiya Kasahara curated show called Project T: Home Video (this is a change from the originally scheduled May 2nd/3rd show).

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All the news that fits…

There have been a lot of announcements in the last few days.  Tapestry announced that they had two companies “in residence” for next season at their new home at 877 Yonge Street.  They are Opera Q ;led by Ryan Macdonald and Camille Rogers, who produced the pandemic video Medusa’s Children and Cultureland which is led by Afarin Mansouri and was responsible for Echoes of Bi-Sotoon. Continue reading

Seven Veils theatrical release

Atom Egoyan’s 2023 film Seven Veils filmed at the Canadian Opera Company and featuring members of the cast of that season’s run of Strauss’ Salome is getting  a theatrical release on March 7th.  I can’t find exact details on whe and where it’s showing but at least some Cineplex and Landmark cinemas will have it.  I saw it pre-pre-release at the Four Seasons Centre in September 2023.  My thoughts are here.

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COC announces 2025/26 season

Without notice or fanfare the COC season announcement landed in my email inbox at 11.30 this morning.  I kind of miss the old 10am press conference which at least offered an opportunity to ask about the rationale of some of the decisions.  I guess though that the number of people writing about opera in Toronto these days would fit in a phone box so maybe it’s too much to hope for.  There are some mildly surprising aspects to the announcement.  There’s no Mozart or Puccini nor, more consequential, any sign of the various new opera projects that COC has/had under development which do have a bit of a habit of disappearing without trace.  There’s also no “second stage” production.  I guess that experiment is done.  So it’s six main stage productions in the traditional three pairs. Continue reading

Identität/個性

Wednesday’s lunchtime concert in the RBA was given by Ensemble Studio graduates Samuel Chan and Rachael Kerr, reuniting for the first time since ES days.  Nowadays Sam is Fest at Theater Kiel and the recital was built around his attempt to probe his identity as a Chinese-Canadian performing Western opera for (mostly) Germans.  Sam is a pretty deep, thoughtful kind of guy so it wasn’t surprising that this was an unusual and carefully curated recital.  It was also quite wonderfully performed.

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Traditional Butterfly at the COC

The Canadian Opera Company opened it’s “new to Toronto” production of Puccini’s Madama Butterfly on Friday night.  It’s a production that’s been around for a while having premiered in Houston in 2010.  It’s almost entirely traditional.  The one concession to critics of Puccini’s rather sordid tale is that Butterfly’s age is raised from fifteen to eighteen. The original concept was Michael Grandage’s but it’s revival directed here by Jordan Lee Braun. Continue reading

February 2025

Before looking forward to next month I want to mention a couple of things this weekend that I haven’t previously noticed.  Saturday (Jan 25th) at 12.30pm there is a Met HD broadcast of new production of Aida with a pretty interesting looking cast.  Later, at 6pm there’s a rather special concert at the Arts and letters Club to celebrate the 100th birthday of Morry Kernerman (former assistant concertmaster of both the TSO and OSM).  The concert is presented by Canzona Chamber Players and wiull feature Trio Uchida-Crozman-Chiu. Continue reading