Don’t take that baritone with me!

baritone-hearts-women-s-v-neck-t-shirt

Probably not

To the Four Season’s Centre last night to check out one of the COC’s adult education events.  This time it was about the baritone voice in all its aspects and featured Liz Upchurch at the piano and, mostly, doing the talking with Ensemble Studio members Sam Chan and Bruno Roy plus ES graduate Neil Craighead back in Toronto to sing Ceprano (not soprano) in Rigoletto doing some singing.

Besides the singing, of which more later, I think there were two takeaways from the evening though it was not actually divided up that way.  One, fascinating, dealt with the development of the voice and the sheer number of years it takes for bigger voices to more or less grow up.  Also, how do you develop and stretch the voice while staying vocally healthy.  Neil is 34 and his voice is really just beginning to get where one can see it going, which is likely big to very big.  Sam and Bruno, much younger, are still going through the process of figuring out what Fach (see below) they really are.  This seems to happen to everyone except maybe genuine basses, high sopranos and the really obvious tenors.  It was pretty cool for instance to heat Bruno sing a tenor aria though not, of course, something like Pour mon âme.

Continue reading

Looking ahead to February

groundhog-day-usaFebruary is going to be really busy so I think I’ll take the previews in chunks.  First up though one event in January I haven’t yet had opportunity to mention.  This coming Sunday 21st Fawn Chamber Creative have a PWYC fundraiser for their in process  opera-ballet project.  It’s from 2-6pm at The Smiling Buddha.  It will be party, silent auction and some performance.  Previous ones have been fun but I’m booked Sunday.  Details at: http://www.fawnchambercreative.com/events/upcoming/. Also in January and missed off the radar, on the 28th at 3pm at Mazzoleni Hall,the Amici Ensemble have a Strauss inspired concert featuring the lovely but tiny Sasha Djihanian who is current holder of the loudness to weight record for a soprano.

Continue reading

The actual, for real, COC 2018/19 season

chemistexplaThis just in:

The fall season will open with Tchaikovsky’s Eugene Onegin in the Carsen production as predicted yesterday.  The (pleasant) surprise is that Gordon Bintner will sing the title role.  Joyce El-Khoury sings Tatiana and Joseph Kaiser is Lensky.  Johannes Debus conducts.

Continue reading

It’s almost 2018

candide2017 draws to a close and we haven’t had a nuclear war (yet).  So it’s time to look ahead to what’s coming up opera and concertwise in January 2018.  But first, there’s one show still to catch in 2017.  Toronto Operetta Theatre opens a run of Bernstein’s Candide tomorrow night at the Jane Mallett.  It stars Tonatiuh Abrego, Vania Chan, Elizabeth Beeler and Nicholas Borg.  There are shows at 8pm on December 28th and 30th and January 5th and 6th with matinées on New Year’s Eve and January 7th.  For the shows on 28th, 5th and 6th you can use code CANDIDE30 to get a 30% discount.  All is for the best in the best of all possible worlds!

Continue reading

Round up of 2017

It’s that time of year when one reflects on the good and the not so good.  What one would like to see more of and not.  What seemed significant about the year.  As I look back over my writings for the last twelve months one clear theme stands out, Reconciliation.  There was the COC’s very thoughtful and thought provoking remount of Somers’ Louis Riel in April and all the fascinating events that went on around that.  There were attempts by the TSO to incorporate Indigenous themes; the Tanya Tagaq concert in March and Adizokan with Red Sky in October.  Neither of these quite came off but the intent was good.  Then there was a really fine recital of works by Indigenous composers by Marion Newman at the beginning of the year.  Then, of course, the Clemence/Current piece Missing, about murdered and missing Indigenous women, which premiered in British Columbia and which I haven’t seen yet but really, really want to.  2017 was also the year when Land Acknowledgements went mainstream in the Toronto arts world.  I guess there’s some tokenism here but there does seem to be far more engagement with Reconciliation in the arts world than in, say, the political mainstream which is unfortunate because opera isn’t going to produce clean drinking water.  We have to start somewhere I guess.

a dance to the music of time

Continue reading

Centre Stage

So last night was this year’s iteration of the COC’s glitzy competition with cash and places in the Ensemble Studio at stake.  It’s a bit of a weird thing to write about because the public, and this year the media, only see a fraction of what the judges are judging.  We saw each singer do one aria.  There had been a closed round earlier in the day to which, unlike in previous years, the media were not invited.  Then there’s what the judges have seen in rehearsal, reputation etc.  All in all what happens on the night influences the outcome about as much as at an Olympic figure skating event.  So, in many ways it’s surprising that my picks were as close to the judges as they were.

17-18-CS-MC-D-0014_preview

Continue reading

Into November

eberwienSo coming up in the next week or so…

On Monday LooseTEA have another Whose Opera is it Anyway? show.  It’s at 9.30pm at Comedy Bar, 945 Bloor West.  Alaina Viau directs with hosting by Greg Finney, Natasha Fransblow at the piano and Jeff Boyd, Amanda Cogan, Adanya Dunn, Gillian Grossman, Rachel Krehm, Jonathan MacArthur, Erin Stone, and Lindsay Sutherland Boal doing silly things.

On Tuesday Lauren Eberwein and the Rosebud Quartet have a noon time concert in the RBA including the fascinating and very difficult Schoenberg String Quartet No.2.  Barbara Hannigan was the last person to do that in the RBA so no pressure.

Wednesday evening is Centre Stage, the COC’s Gala/Singing Competition/Audition for the Ensemble Studio.  Things kick off with booze and snacks at 5pm.  It’s at the Four Seasons Centre of course.

Thursday, UoT Opera are previewing their Don Giovanni in a free concert at 12.10pm in Walter Hall.  Later, at 9pm, it’s AtG’s Opera Pub Night at the Amsterdam Bicycling Club.

In the continuing runs department, Arabella closes out tomorrow at the COC but The Elixir of Love runs through the 4th.  Soundstreams’ Müsik für das Ende, which opens tonight, runs all week at Crow’s Theatre and Opera Atelier’s The Marriage of Figaro also runs through the 4th.

 

A crazy week

MusikfurdasEnde-v1It’s a bit of a crazy week coming up.  On Monday at 8pm there’s the first in a series of young artists concerts presented by Atelier Rosemarie Umetsu and Yamaha Canada.  This one features pianist Cindy Liu in an all Prokofiev program.  It’s at Rosemarie’s atelier at 310 Davenport Road and tickets are $20 ($10 student).

Tuesday is a double header with Erin Wall performing at noon in the RBA in a program of Korngold, Debussy and Duparc.  Then at 5.30pm at the Canadian Music Centre there’s a CD launch concert for Sing Me at Midnight; the latest recording from CASP featuring songs by John Greer.  Both these events are free.

Continue reading

COC 2016/17

AlexanderNeefThe Canadian Opera Company released its annual report and accounts for 2016/17 last night.  The big news was the extension of General Director Alexander Neef’s tenure to the end of the 2025/26 season.  The financial news was basically “same old same old”.  Ticket sales once again showed a small decline which was compensated for by record fundraising performance to yield, essentially, a break even.

Continue reading