There were crazy choices available to concert goers in Toronto last nigt but enough chose Extensions of Us at the Extension Room (where else) to fill the joint. We were there to see a performance of piano, song and dance provided by the team of baritone turned tenor Adrian Kramer, soprano Lucia Cesaroni, dancers Jennifer Nichols (who also choreographed) and Justin De Bernardi with pianist and music director Maika’i Nash. The complex motivations for the show and the full line up of music is contained in my interview with Adrian and Lucia here.
I spoke earlier today with Lucia Cesaroni and Adrian Kramer (via Skype to the west coast where Lucia is appearing with Pacific Opera Victoria) about their upcoming “recital” Extensions of Us; Melody and Movement at the Extension Room on November 13th. It’s pretty much received wisdom that in Toronto the traditional art song recital is dying or maybe already dead. Certainly audiences have declined and the format seems unable to draw the younger audience, even of opera goers. I asked Lucia and Adrian about the motivation and inspiration for their show and also asked them to tell me a little more about what we are going to see and hear.
There a few things coming up in Toronto over the next week or two that might be worth a look.
Tomorrow at noon in the Richard Bradshaw Amphitheatre Lauren Segal and Robert Gleadow accompanied by Sandra Horst are giving a free concert featuring Dvořák’s Gypsy Songs, de Falla’s Siete canciones populares Españolas, Ibert’s Chansons de Don Quichotte and Vaughan Williams’ Songs of Travel.
So, after the rather scattered events of the summer last night’s fundraiser for Opera 5 at Atelier Rosemarie Umetsu felt like the start of a new season. It was well attended and organised in an intriguing and fun format. Basically, Team Day and Team Night were competing to see who could raise the most money. There were four rounds in which a singer from each team presented an aria, song or MT number. The one with the most pledges got to sing his or her “show off” aria. For an additional donation, the loser got to do the same. Given that some of the city’s best young singers were performing it was to be expected that it was a good show.
Toronto Operetta Theatre and Toronto Masque Theatre have announced their respective 2014/15 season line ups. TOT will present three shows. The first is a zarzuela; Federico Chueca’s La gran via. Jose Hernandez conducts and the cast includes Margie Bernal, Fabian Arciniegas, Pablo Benitez and Diego Catala. There’s one performance on November 2nd. The Christmas show will be Gilbert and Sullivan’s The Mikado. Singers include Lucia Cesaroni, Mia Lennox, David Ludwig and Giles Tomkins with Derek Bate conducting. There are six performances scheduled between December 27th and January 4th. Finally, and perhaps most exciting, is a revival of Victor Davies’ 2008 piece Ernest, the Importance of Being. It’s based on the Wilde play and will star Jean Stilwell as Lady Bracknell. Larry Beckwith conducts. There will be four performances on April 29th and May 1st to 3rd. All three shows will be directed by Guillermo Silva-Marin and will be staged at the St. Lawrence Centre for the Arts. (www.stlc.com)
The Cousin from Nowhere is a German operetta by Eduard Künneke that premiered in Berlin in 1921. Last night it received its Canadian premier, in English translation, at Toronto Operetta Theatre. It’s a light, charming romcom with few pretensions but much to enjoy. The plot is simple in outline though convoluted in almost Gilbertian way. Julia is an heiress under the guardianship of her aunt and uncle and about to come of age and, thus, come into the fortune that hitherto the older couple have been able to enjoy. She is in love (or thinks she is) with her third cousin twice removed Roderich, who left to make his fortune in the East Indies seven years ago. Aunt and uncle scheme to marry her to their nephew August. Various more or less improbable plot twists involve August impersonating Roderich and successfully winning the heart of Julia while Roderich returns and falls instantly in love with Hanna, Julia’s bestie. It all ends happily. The music is not unlike Viennese operetta with some nods to jazz and popular post war dance music but if you are expecting pre echoes of Berg or Weill you are going to be disappointed. It’s quite conventional but essentially well crafted light entertainment.
Last night I was at the Arts and letters Club for the opening night of Opera 5’s Edgar Allan Poe themed show In Pace Requiescat. I had hoped that I had kicked the thing that has been afflicting me since Wednesday but I was over optimistic. I spent the first half of the show either in a coughing fit or trying desperately to avoid one and then had to leave at the interval thus missing Cecilia Livingston’s new piece The Masque of the Red Death.
What I did see; Daniel Pinkham’s The Cask of Amontillado and Debussy’s La Chute de la Maison Usher, was, as best I recall, pretty good. Staging and costumes are appropriately creepy and there was some very good singing from Adrian Kramer and a brief appearance from Lucia Cesaroni that made me want to see more. If I can shake this thing before the end of the run I’ll go back and do a proper review. There are further performances on Wednesday and Thursday.
Casting details for Opera 5’s Halloween themed show, Requiescat in Pace, have been announced. The singing line up is soprano Lucia Cesaroni, American baritone and recent Tanglewood fellow David Tinervia and, making a welcome return to Toronto, baritone Adrian Kramer.