The Piece Atop His Pate

The latest short animation from the Canadian Art Song Project is extremely quirky and about as steeped in a certain kind of Canadian nostalgia as one could possibly get.  It’s called The Piece Atop His Pate and appears to be about Bobby Hull losing his wig in a hockey fight although it may also be lamenting the NHL mandating helmets.  I’m really not sure..  Why this is seen as a significant event in Canadian history also puzzles me but apparently it’s worth writing a song about.

The words are by Bill Richardson with rather percussive music by Jocelyn Mortlock.  It’s performed with spirit by Keith Lam and Steven Philcox and it’s accompanied by rather cute Saturday morning cartoon style animation by OCAD students.  Here’s the Youtube link.  Perhaps it helps to watch it in your underwear while drinking a Molson Export.

Flaming Toscas and oinking hogs

Last Wednesday’s noon hour concert in the RBA was a collaboration between the Canadian Art Song Project and the UoT Faculty of Music.  It was an all Canadian programme; mostly living composers and mostly in a lighter vein; hence the title Songs of Whimsy and Humour.

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March 2025

So what looks fun in March?

  • March 1st (Dydd Gŵyl Dewi Sant) Apocryphonia have a “classical meets punk” concert called Brews, Beauties and Brawlers at St. Olave’s Anglican Church at 7.30pm.  PWYC.
  • March 5th Canadian Art Song Project have their annual gig at noon in the RBA.
  • Crow’s Theatre have a new adaptation of Measure for Measure in the Studio Theatre.  Previews on the 6th and 7th, opening on the 8th and running to March 16th.

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The Colour of Joy

The Canadian Art Song Project presented their latest commission in the RBA on Wednesday lunchtime.  But first we got Jorelle Williams and Steven Philcox with four songs by iconic Canadian/American composer R. Nathaniel Dett.  I confess that early 20th century American song is rarely to my taste and the first three Dett songs I found workmanlike but not especially interesting.  The fourth though; The Winding Road to a text by Tertius Van Dyke I found much more interesting.  It seemed that Dett had allowed himself to be more “American”.  There were influences from both “Negro music” and marching band here with an overall effect not unlike some of Charles Ives’ songs.  I can’t knock the performance though.  It did full justice to the songs; especially the last.

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Another Day

The latest commission from the Canadian Art Song Project is Another Day by Abigail Richardson-Schulte.  It’s a setting of six poems by schoolchildren on the theme of refugees and human rights.  It’s now available on video performed by soprano Anna-Sophie Neher with Carl Matthieu Neher at the piano.

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Coming up at the Royal Conservatory

Coming up at the Royal Conservatory….

  • March 12th at 8pm.  ARC Ensemble plays Beethoven’s Symphony No. 2 and English Songs.  An all Beethoven programme featuring Monica Whicher in the songs.  That’s a free livestream on the Koerner Hall performance page.
  • March 21st at 1pm.  To the Distant Beloved.  Miriam Khalil, Russell Braun and Carolyn Maule perform Beethoven’s An die ferne Geliebte and a world premiere piece by award-winning Iranian Canadian composer, Afarin Mansouri, commissioned by Canadian Art Song Project.  This one is $10 with tickets/codes available from the RCM box office.

Good news for once!

I found out yesterday that Vancouver based composer Jeffrey Ryan has won the 2021 Art Song Prize from the National Association of Singing Teachers (a US based body) for his song cycle Everything Already Lost.  This is believed to be a first for a Canadian composer.  Now, readers with good memories might recall that I was decidedly impressed by Ryan’s Miss Carr in Seven Scenes which was the 2018 CASP commission so, obviously, I was keen to check out the new work.

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Round up of 2017

It’s that time of year when one reflects on the good and the not so good.  What one would like to see more of and not.  What seemed significant about the year.  As I look back over my writings for the last twelve months one clear theme stands out, Reconciliation.  There was the COC’s very thoughtful and thought provoking remount of Somers’ Louis Riel in April and all the fascinating events that went on around that.  There were attempts by the TSO to incorporate Indigenous themes; the Tanya Tagaq concert in March and Adizokan with Red Sky in October.  Neither of these quite came off but the intent was good.  Then there was a really fine recital of works by Indigenous composers by Marion Newman at the beginning of the year.  Then, of course, the Clemence/Current piece Missing, about murdered and missing Indigenous women, which premiered in British Columbia and which I haven’t seen yet but really, really want to.  2017 was also the year when Land Acknowledgements went mainstream in the Toronto arts world.  I guess there’s some tokenism here but there does seem to be far more engagement with Reconciliation in the arts world than in, say, the political mainstream which is unfortunate because opera isn’t going to produce clean drinking water.  We have to start somewhere I guess.

a dance to the music of time

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A crazy week

MusikfurdasEnde-v1It’s a bit of a crazy week coming up.  On Monday at 8pm there’s the first in a series of young artists concerts presented by Atelier Rosemarie Umetsu and Yamaha Canada.  This one features pianist Cindy Liu in an all Prokofiev program.  It’s at Rosemarie’s atelier at 310 Davenport Road and tickets are $20 ($10 student).

Tuesday is a double header with Erin Wall performing at noon in the RBA in a program of Korngold, Debussy and Duparc.  Then at 5.30pm at the Canadian Music Centre there’s a CD launch concert for Sing Me at Midnight; the latest recording from CASP featuring songs by John Greer.  Both these events are free.

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The week in prospect

russian-salonTomorrow (Sunday) afternoon Off Centre Music Salon opens its 2016/17 season at 3pm at Trinity St. Paul’s.  It’s an all Russian show called Four Seasons or Mother Russia.  It will feature songs by Prokofiev’s The Ugly Duckling and songs byTchaikovsky, and Rachmaninoff, as well as Arensky’s Piano Trio in D minor (op. 32).  The highlight is the Toronto premiere of Valery Gavrilin’s song cycle Seasons inspired by Northern Russian folklore and chanting traditions.  Performers include cellist Igor Gefter, pianists Inna Perkis and Boris Zarankin, violinist Mark Skazinetky and singers Joni Henson and Ryan Harper.

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