Nobody vomits on Dolly Parton’s shoes

I’ve tried several times in the past to watch the DVD recording of Mark-Anthony Turnage’s Anna Nicole and never made it past the second scene, which is revolting and, I still think, rather patronising.  This time though I made it all the way through and I think, taken as a whole, this is a pretty impressive piece with a clever libretto and some real musical depth.  It’s also, in the true and technical sense, a tragedy, and a very operatic one at that.

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The ceremony of Innocence is drowned

Jonathan Kent sets his 2011 Glyndebourne production of The Turn of the Screw in the 1950s.  It’s effective enough especially when combined with Paul Brown’s beautiful and ingenious set and Mark Henderson’s evocative lighting.  The set centres on a glass panel which appears in different places and different angles but always suggesting a semi-permeable membrane.  Between reality and imagination?  Knowledge and innocence?  Good and evil?  All are hinted at.  A rotating platform allows other set elements to be rapidly and effectively deployed.  There’s also a very clever treatment of the prologue involving 8mm home video.

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