I’ve tried several times in the past to watch the DVD recording of Mark-Anthony Turnage’s Anna Nicole and never made it past the second scene, which is revolting and, I still think, rather patronising. This time though I made it all the way through and I think, taken as a whole, this is a pretty impressive piece with a clever libretto and some real musical depth. It’s also, in the true and technical sense, a tragedy, and a very operatic one at that.
Puccini’s Il Trittico is a collection of three one act operas designed to be performed on a single evening. They rarely are. Perhaps this is because performing all three makes for a rather long evening (and for a huge cast) or maybe it’s because two of the three aren’t all that great. In any event, while most opera goers will likely have seen the comedy Gianni Schicchi, most will likely not have seen the two tragedies that precede it; Il Tabarro and Suor Angelica. However, all three works were performed as a triple bill at the Royal Opera House in 2011. The show was broadcast by the BBC and is available on Blu-ray and DVD. All three pieces were directed by Richard Jones and Anthony Pappano conducted.
There’s lots to like in the 2003 Glyndebourne recording of Die Fledermaus. Let’s start with Stephen Lawless’ production. It’s attractively designed, quite slick and has a few good new gags without going overboard. The sets are designed with striking diagonals and staircases and gantries. Rotation is used both as a device to change the setting and as an element in the scene composition. The overall effect is that the scene changes from drawing room to a sort of “gilded cage” for Orlofsky’s party – which opens out to create space for the action – to a prison with minimum disruption to us or the action. Spots are used to create stagey effects and at one point Jurowski in the pit ostentatiously upstages the actors on stage. Lawless never lets us forget this is a “show”. Continue reading →