Rooms of Elsinore

roomsofelsinoreRooms of Elsinore is a new CD of music related to Brett Dean’s opera Hamlet.  Those familiar with the opera will quickly recognise the sound worlds of all five pieces.  Two began life as “character studies” for Ophelia and Gertrude respectively and so set words by Matthew Jocelyn.  The first, And once I played Ophelia is scored for soprano and chamber orchestra.  Some readers may recall Barbara Hannigan performing it with the TSO in 2019.  Here it’s performed by Jennifer France with the Swedish Chamber Orchestra and the composer.  It’s a tough sing with some very high sections and staccato repeated phrases.  She does a fine job. Continue reading

Hamlet in High Park

This year’s Dream in High Park production is Hamlet directed by Jessica Carmichael.  Now Hamlet is an interesting choice for this format because it is, notoriously, a really long play and the High Park format demands something that comes in around two hours.   A full blown Hamlet, as in the Branagh film lasts over four hours and even with the usual stage cuts it’s a three hour plus project.  So getting it down to two hours rather meands that it’s almost as much Carmichael’s Hamlet as Shakespeare’s.Qasim Khan as Hamlet (foreground) w Raquel Duffy and Diego Matamoros (BG) in CSHamlet-photobyDahliaKatz-5475

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Schmaltz and Pepper

Schmaltz and Pepper is a comparatively newly formed band (November 2023) but it contains quite a few familiar faces; Rebekah Wolkstein (vocals, violin) and Drew Jurecka (vocals and assorted instruments) from Payadora, Eric Abramowitz (clarinet) from the TSO plus multitalented Jeremy Ledbetter (piano) and Michael Herring (double bass).  Between them they have backgrounds in classical, klezmer, tango, calypso, Yiddish swing, jazz and much more.  The focus of the new band appears to be klezmer and Yiddish swing but since most of their material is original there are lots of influences.

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Breathings

Monday night’s Toronto Summer Music concert in Walter Hall was a cross-cultural exploration of Nature, Heartbeat and Breathing.  It featured an instrumental ensemble of Persian and Western instruments and two Indigenous vocalist/drummers; one Mi’kmaq, one Inuit.

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Late July and August

aug24It’s still mostly festival season with two events coming up in Toronto.

There’s Summer Opera Lyric Theatre   It runs July 26th to August 4th and features three operas in piano score with young artist singers.  The operas are Puccini’s La Bohème, Handel’s Serse and Mozart’s Idomeneo and the venue is the Alumnae Theatre on Berkeley Street.  Full details, tickets etc. Continue reading

The Tortured Poets Department

alexhWednesday evening’s Shuffle Hour concert at Toronto Summer Music was given by mezzo Alex Hetherington and pianist Vlad Soloviev in Heliconian Hall and carried the curious moniker The Tortured Poets Department. It kicked off with the letter aria from Massenet’s Werther and let’s face it if anyone deserves torturing it’s some combination of Werther himself and Goethe for inventing him (and possibly Massenet for prolonging the life of a character who might otherwise have fallen into obscurity).  Whatever, Alex gave a fine, impassioned reading of the aria which set the stage well for what was to follow. Continue reading

Connolly and Middleton

This year’s art song mentors for Toronto Summer Music; Dame Sarah Connolly and Joseph Middleton, gave the traditional recital in Walter Hall on Tuesday evening.  Those who braved flooded streets and spotty TTC service enjoyed a treat.  It was a carefully curated and beautifully performed collection of songs.

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Dreams, Death and the Maiden

Monday night in Walter Hall Toronto Summer Music continued with a concert by the new Orford Quartet (Jonathan Crow and Andrew Wan – violins, Sharon Wei – viola, Brian Manker – cello).  I was there primarily to hear the première of Ian Cusson’s Dreams which was bookended on the programme by “Death and the Maiden” themed quartets in D minor by Mozart and Schubert.

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Premarital sextet

The string sextet is an unusual combination of instruments and there aren’t that many works for it.  But one, Schoenberg’s Verklärte Nacht, Op. 4, has almost cult status and is performed fairly often.  It does though need a companion to make up a concert programme.  On Friday night at Toronto Summer Music in Walter Hall the chosen accompanying piece was Brahms’ Sextet No.2 in G Major, Op. 36.

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Streetwise Fairy Queen delights

William Christie and Les Arts Florissants kicked off Toronto Summer Music on Thursday evening at Koerner Hall with a version of Purcell’s The Fairy Queen which is currently on a sort of world tour.  This production, conceived by Christie and Paul Agnew is quite radical.  Let’s look at what they have done.

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