Opera Five gala

opera5So Toronto’s weather took a weird twist pushing the Humidex into the 40s just in time for the Opera Five movie themed fundraiser at Atelier Rosemarie Umetsu last night.  And some people still managed to wear suits and ties and stuff.  Made of sterner stuff than me I tell you.  And even more props to the ladies who were sporting Rosemarie’s creations.  They looked great but some of them must have been hell in the heat.

It was an interesting format with seven singers and two pianists appearing in various combinations and guests having an opportunity to sponsor a singer to sing their “feature” aria.  It was fun and there were some fine singers on display.  Two I’ve seen and enjoyed in the past were baritone Geoffrey Sirett and coloratura soprano Teiya Kasahara.  Both were on good form with some fine Escamillo from Geoffrey and the mad scene from Lucia from Teiya in a rather good arrangement for voice, flute and piano.  The other five were new to me but I’d happily go see any of them.  Favourite moments for me would be some fine Carmen from the unpronounceable Olenka Harasymowycz (who looks disturbingly like Maria Ewing), a very cute “Poor Wandering One” from Caitlin Wood and a very fine “Ebben…” (from Catalani’s La Wally) from Calgary’s Krista de Silva.  Accompaniment was from music director Mai Nash and Jo Greenaway on piano with flautist Amelia Lyon.

So, a fun event which seemed to be raising quite a bit of much needed cash.  The first show it will be helping fund is In Pace Requiescat; a trio of one act operas based on Edgar Allen Poe stories.  There will be The Cask of Amontillado by Daniel Pinkham, La Chute de la Maison d’Usher by Claude Debussy and the world première of The Masque of the Red Death by Cecilia Livingston.  Performances will be at the Arts and letters Club on Elm Street on the 27th, 30th and 31st of October.  Tickets are available from 05inpace.eventbrite.ca and are $30 ($25 concessions).

More season announcements

suzieleblancToronto Masque Theatre has announced the line up for the 2013/14 season.  There are three main stage productions.  First up is Patrick Garland’s now classic play Brief Lives, based on John Aubrey with song and music from 17th century London. Second is a revival of Tears of a Clown, under a new title, Arlecchino Allegro. Finally, there is a reinterpreted classic from the world canon teamed up with a contemporary interpretation in the Myth of Europa.  Details for the shows are as follows:

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Lotfi Mansouri

So two “obituaries” on the trot.  Now Lotfi Mansouri is gone.  He was an interesting, larger than life, character.  Arguably he was born in the wrong age.  He would have been perfect in the days of entrepreneurial opera company owner/directors.  17th century Venice, London in Handel’s day or the US of the turn of the century would all have been natural homes.  His ability to cut a deal, to charm money out of the rich, to persuade legendary singers to perform in opera backwaters and to create spectacle while counting the pennies were amazing.  Was he so well suited for an age of complex artistic cultural politics and changing trends in opera production?  Perhaps not.

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The price is right

simoneThe best bargain of the Toronto music season is the free lunchtime concert series at the Four Seasons Centre.  The 2013/14 line up was announced today.  Opera and vocal highlights include recitals by Sir Thomas Allen (Songs of the Sea, which sounds rather excellent), Simone Osborne, Robert Pomakov with The Gryphon Trio, Tracey Dahl, Russell Braun and Paul Appleby.  Somewhat off the beaten track, there will be a performance of Gagliano’s La Dafne by Capella Intima and the Toronto Continuo Collective and the Canadian Art Song project will be premiering a new commission by a Canadian composer.  There will also be the usual (and very popular) sessions from the COC Ensemble Studio (including two Britten themed concerts), the students of the University of Toronto opera division and the young artists of the Atelier lyrique de l’Opéra de Montréal.

For the less vocally inclined there is also a full line up of piano, chamber music, world music, jazz and dance.  Here’s the full PDF brochure.

Summer is icumen to an end

opera5It may still be 90%+ humidity and hot as hell in Toronto but the signs of things to come are piling up.  I have a stack of tickets for fall events at various venues and the smaller opera groups are starting to announce their seasons.

The latest news is from Opera 5 who are launching the year with a Hollywood Glam Gala at Atelier Rosemarie Umetsu.  It’s a fundraiser with an “Opera in Hollywood” theme.  Performers will include Teiya Kasahara (probably not with the butch lesbian routine), Elizabeth MacDonald, Graham Thompson, and the increasingly visible Geoffrey Sirett among others.  Toronto photographer, Emily Ding will be on hand for Hollywood glam photos with food and alcohol provided by Fionn MacCool’s, notorious hangout of the COC Chorus.

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Summer in the city

toronto-summer-ferryThis year’s Toronto Summer Music Festival reported a 28% increase in attendance over the previous year with the under 35 segment up 11%.  Obviously this is a good thing but I’m also interested because it tends to reinforce my view that the assumption that there’s no market for classical music in the summer months is based on a very outdated view of behaviour.  Most of us don’t decamp to the cottage for the summer.  The  model of the non-working wife taking the children to the cottage for the summer where father joins them on the weekend is right up there with the idea that schools should close for the summer because the kids are needed on the farm.

I think there’s a real opportunity for a summer opera venture in Toronto.  Maybe it’s where we could slot in our (missing) equivalent of Chicago Opera Theatre that does more obscure and/or edgier stuff than the big kids at the COC?  One can hope, I guess.

Season announcements

Announcements for the upcoming season in Toronto are starting to come in.  Voicebox: Opera in Concert have announced a thee show season at the St. Lawrence Centre for the arts. The season opens on Sunday, November 24, 2013 at 2:30 PM with Benjamin Britten’s Gloriana.  This isn’t a work one gets to see very often so even a piano accompanied concert version is very welcome.  Musical Director and Pianist will be Peter TiefenbachSoprano Betty Waynne Allison will sing Elizabeth I with tenor Adam Luther as Essex. The cast also includes Jennifer Sullivan, Jesse Clark and Mark Petracchi.

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Another transladaptation

Cassandra Warner

Cassandra Warner

There’s another indie opera company in town; Loose Tea Music Theatre.  They are going to be putting on a crowd source funded transladaptation of Carmen called La tragédie de Carmen at Buddies in Bad Times on September the 6th, 7th and 8th.  Details of the show are here and the crowd source funding page is here.  This is no amateur effort.  It’s directed by Alaina Viau who has worked at the ROH.  The title role will be sung by Cassandra Warner, last seen in Opera Atelier’s Magic Flute, and the Don José is Ryan Harper, previously a Rodolfo for Against the Grain’s Tranzac La Bohème.

This was brought to my attention by Lisa Faieta who has a new blog, Soprano vs. the World.  Check it out!