The Bicycle Opera Project has announced dates and rep for their 2014 Ontario tour which will take seven contemporary Canadian operas to 14 towns and cities across Ontario. The singers are soprano Larissa Koniuk (founder of the Bicycle Opera Project), mezzo Stephanie Tritchew (newest member of Calgary Opera’s young artist program), tenor Christopher Enns and baritone Geoffrey Sirett. They will be joined by instrumentalists: Wesley Shen (music director/piano), Chelsea Shanoff (saxophone) and Tristan Durie (flute). Liza Balkan will direct.
Category Archives: Toronto opera news and views
Summer Opera Lyric Theatre 2014
Summer Opera Lyric Theatre is a summer study and performance programme for young artists directed by Guillermo Silva Marin. This season they will present (in English) three fully staged works with piano accompaniment. The offerings are Mozart’s The Magic Flute (August 1st, 3 rd(mat), 6th (mat) and 9th), Puccini’s Madame Butterfly (August 2nd (mat), 5th, 7th and 9th (mat)) and Barber’s Vanessa (August 2, 6th, 8th and 10th (mat). All performances are at the Robert Gill Theatre, University of Toronto, 214 College St. (entrance on St. George). Single tickets are $28, students and seniors are $22. For tickets, call 416-366-7723 (Mondays to Fridays 12 to 6 pm).
The secret ingredient is Otter
Before heading over to the Daniels Spectrum last night I dropped in on the 2014/15 Royal Conservatory season announcement at Koerner Hall. The line up of 100 concerts is eclectic; chamber and orchestral, world music and jazz and a small number of vocal concerts which are probably the ones of most interest to readers of this blog.
Nothing says Shostakovich like all-you-can-eat poutine
So along with the late night (10pm start) June 14th Roy Thomson Hall concert of Mason Bates’ Garages of the Valley (a Canadian première/TSO Co-Comission) and Shostakovich’s Symphony No.5 there’s a tailgate party at 7.30pm in the car park and an after party in the lobby. The former features all you can eat food from Kaplansky’s and Smokes Poutinerie with the after party featuring food from Big Daddy’s.Those of us over 40 are not encouraged to attend; a line will probably be endorsed by local cardiologists. Full details here.
More out of town stuff in June
There are a couple of Essential Opera shows scheduled for the KW area in June. On June 7th at 2pm they are presenting a double bill of Haydn’s L’isola disabitata and Donizetti’s Il campanello at the New Hamburg Festival of the Arts. Singers include Maureen Batt, Erin Bardua,Stefan Fehr and Giovanni Spanu. Tickets are $20 (free for students) and available here.
Opera in June
There are a few operatic events coming up in June although, as usual things are slowing down a bit.
On June 1st at 7pm, Russian baritone Dmitri Hvorostovsky has a recital at Koerner Hall singing works by Tchaikovsky, Rachmaninoff, Medtner and Liszt. Ivari Ilja will accompany on piano.
Brian Current’s new opera Airline Icarus will open at 8pm on June 3rd at Ada Slaight Hall in the Daniels Spectrum complex. The piece stars Krisztina Szabó and Alexander Dobson, among others. Tim Albery directs. The show runs until June 8th. Tickets are $20-$75 and are available here.
Summer festival carpools/rideshare
So I’m one of those people who doesn’t run a car. I’m a bike, transit, Autoshare kind of guy. This does sometimes present issues though when it comes to getting to places like Westben and the Stratford Festival. I hadn’t thought about it much but yesterday I got an email from someone called Mike asking if I would be willing to post a request for a rideshare. He’s specifically looking for a ride to Westben for the July 5th Dido and Aeneas. Come to think of it, I wouldn’t mind seeing that too!
So, I’m offering the comments to this post as a place to request or offer rides to Westben, Stratford etc. I’m not offering to organise anything but I’m happy for people to use this mechanism if it helps.
When the Sun Comes Out
Leslie Uyeda’s opera, When the Sun Comes Out, which premiered at Vancouver’s Queer Arts Festival last year is coming to Toronto. It will be given in concert performance at the Ernest Balmer Studio at the Distillery on June 26th and 27th. Set in an imaginary country called Fundamentalia, a country where violation of gender roles is punishable by death, When the Sun Comes Out is the story of a love affair between two women, Lilah, a young, sheltered and wealthy married mother, and Solana, a gender outlaw and rebellious outsider just passing through as she’s passed through so many other countries in her restless, futile quest for happiness. In a land where love between women is punishable by death, Lilah and Solana fall in love but their affair is discovered by Lilah’s enraged and unpredictable husband, Javan.
Ensemble Studio graduate Teiya Kasahara, who premiered the role of Solana is joined by Hamilton based soprano Stephanie Yelovich, soprano, who will play the role of Lilah. Keith Lam, baritone, will play the role of Javan. Opera 5’s Maika’i Nash will act as musical director and pianist. Continue reading
Mixed news on subscriptions from the COC
A recent press release from the COC states that they have (so far) sold 9870 subscriptions for next season with 1368 of those being new subscribers. The renewal rate is apparently 79%. A quick bit of arithmetic suggests that this season there were 10762 (or very close to) subscribers and that therefore 2260 of them did not renew. So new subscribers are lagging drop outs by around 900. We can assume that subscribers who intend to renew have already done so as the deadline for keeping one’s seats was April 30th. There’s still plenty of time to close part of that gap of course but it does suggest a decline in the subscription base that’s consistent with experience everywhere else that uses the subscription model.
Talking bears
Toronto Wunderkind director Joel Ivany is directing the premier of Norbert Palej’s EAST o’ the SUN and WEST o’ the MOON for the Canadian Children’s Opera Company. Operaramblings took the opportunity to ask Joel a few questions about his motivation for doing the piece and how directing young people differed (or didn’t) from his other directorial endeavours. Here’s what we got: Continue reading


