Fun with Opera 5

49f45caecf0e031ea0d0259514e15865a144489aThe always entertaining Opera 5 have a couple of events coming up.  Firts there’s a fundraiser at Rosemarie Umetsu’s called Equinox: Day vs. Night.  Two teams of singers, Team Day and Team Night, will battle for the greatest prize of all: Ruler of the Sky!  It’s on Tuesday September 9th at 6pm and there will be drinks and food provided by the University Avenue Fionn MacCools 181 University Avenue.  We are promised performances by Claire de Sévigné, Lucia Cesaroni, Peter Bass, Jeremy Ludwig, Beste Kalender, Maika’i Nash and more.  Let’s hope it’s a bit cooler than last year!  Tickets are $25 and can be purchased here: https://be-mused.ca/group/opera5

Then there’s the show postponed from the Spring which will open the new Alliance Française de Toronto – Centre cultural Theatre.  It features performances of Reynaldo Hahn’s L’île du rêve and Jacques Offenbach’s Ba-ta-clan.  Performances are at 7.30 pm on September 19th, 20th and 21st.  The Alliance Française is at 24 Spadina Rd (just north of Bloor) and just happens to be where I learned that the First Gulf War had begun.  Tickets as above.

Intriguing “opera”

trialsI don’t know whether I’d call this opera or not but it’s certainly music theatre and of a rather interesting kind. Obeah Opera is an a cappella theatre piece in which an all-female cast examines the story of the Salem Witch Trials from the perspective of enslaved African women.  it’s being workshopped, in preparation for next year’s PANAMANIA; the arts and culture program of the Pan Am games, at the Dancemakers Studio in the Distillery (9 Trinity St, studio 313)  on Sept 11, 12 and 13 at 8pm and Sept 14 at 2pm.  It’s directed by Weyni Mengesha with music direction by Andrew Craig.

2014-2015 events at UoT

Notes 2014-15The University of Toronto Faculty of Music has released its schedule of events for the 2014/15 season.  There’s a lot of interesting stuff for the opera and vocal music fan (and much else besides).  Highlights include:

Opera

The first of two major productions is Gilbert and Sullivan’s HMS Pinafore which will play November 27th-30th.  Michael Albano directs and Sandra Horst and Russell Braun will share conducting duties.  The second, Dominick Argento’s Postcard from Morocco, will run March 12th to March 15th with Michael Cavanagh directing and Les Dala conducting.  Both shows will be in the MacMillan Theatre.

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This season’s free concerts in the RBA

rbaThe Canadian Opera Company has just announced the 14/15 line up for the free lunchtime (mostly) concerts in the very beautiful Richard Bradshaw Amphitheatre at the Four Seasons Centre.  Highlights, from my point of view, include recitals by Jane Archibald, Krisztina Szabó, Lauren Segal, Colin Ainsworth, Joshua Hopkins, Robert Gleadow, Barbara Hannigan and Ekaterina Gubanova.  There will also be ten concerts by the Ensemble Studio plus the Quilico competition.  The Canadian Art Song Project will showcase Allyson McHardy in a new song cycle by Marjan Mozetich.  There’s also a themed series of concerts  to commemorate anniversaries of the First and Second World Wars, and the fall of the Berlin Wall. This will comprise six concerts drawn from the Vocal, Chamber Music and Piano Virtuoso programs.

That’s just the tip of the iceberg.  There are vocal, chamber, piano, dance, jazz and world music programs to suit a very wide range of tastes.  And it’s all free.  Full details at http://www.coc.ca/PerformancesAndTickets/FreeConcertSeries.aspx

WTF SRSLY!

autocorrectlogoThe latest offering from Loose Tea Theatre is a show called AuroCorrect Operas.  Basically it’s Mozart’s Bastien et Bastienne and Stravinsky’s Mavra updated for the internet age.  I seem to have seen a lot of internet themed opera recently ranging from cyberbullying to screaming goats.  Perhaps it’s a meme?  The show runs August 21st to 24th at the Navillus Gallery on Davenport.  Loose Tea’s previous effort; La tragédie de Carmen, was well worth seeing so this is probably one to see.

More details and tickets here.

TSMF begins

Emerson-Quartet-300x200The Toronto Summer Music Festival kicked off last night with a concert by the venerable and renowned Emerson Quartet.  The theme for the festival is “The Modern Age”; explained to us by the festival director as meaning the many threads and styles that emerged in the opening years of the 20th century.  It might seem a bit odd then that the Emersons chose a programme of Beethoven, Britten and Schubert but in fact the rest of the programming doesn’t seem much closer to the tree with Bach, Haydn and Brahms all featured in upcoming concerts.

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Ben out, Tracy in

0640 - Cosi - Ferrando_Despina_Guglielmo - credit Michael CooperIf you have been wondering who would replace recently retired Ben Heppner in Westben’s annual Sunday Afternoon at the Opera, to be held this year on July 20th at 2:00 pm, the wait is over. It will be veteran coloratura soprano Tracy Dahl, last seen in Toronto as Despina. She’ll be accompanied by Ensemble Studio head honcho Liz Upchurch. Tickets available at www.westben.ca

TSM Festival Insiders events

Toronto Summer Music has announced details details for its Festival Insiders events starting July 23rd.  The events include film screenings, interviews, guest lectures, and masterclasses. The events take place at Walter Hall and Boyd Neel Room in the Edward Johnson Building, Faculty of Music, University of Toronto (80 Queen’s Park).  Here’s the line up:

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Tapestry LibLab participants announced

Tapestry’s LibLab is a collaborative that brings together composers and librettists to create new work.  It provides participants with the opportunity to work with several partners in a short period of time. Throughout the week-long program, writers and composers are partnered with one another for one day each. With input from music and stage directors, each pair writes a short piece of music theatre and investigates the collaborative process. Their work is performed at the end of each day by a resident ensemble of singers and repetiteurs, and then constructively critiqued by the group.  The best of the works are polished up for a show later in the year (review of last year’s show) and some go on for further development.

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