It’s almost time for the Toronto Summer Music Festival 2021. This year it runs July 15th to August 1st. The bad news is that, like last year, it’s virtual. The good news is that it’s all free and, as always, there’s some excellent stuff. The full line up and details of how to access the streams are here.
The highlight for me will be Adrianne Pieczonka and Steven Philcox in a recital featuring Purcell’s “Music for a While”, selected lieder by Clara Schumann, a selection of melodies by Fauré, “Hermit Songs” by Samuel Barber, and selections of works by George Gershwin. That’s on Tuesday, July 20th at 7:30 pm.
So far no word on the line up for the Regeneration concerts but I guess I won’t miss spending three summer Saturdays alternating between a freezing Walter Hall and a scorching Philosopher’s Walk. It will feel quite civilised to dip into the Regen stuff as and when.
First the bad news. Calgary Opera have cancelled their fall production of Fidelio citing uncertainty over rehearsal, performance and audience management issues. I’m not surprised and I expect we will hear something similar from the COC next week. The performing arts really don’t seem to figure at all on the Ontario government’s priorities or plans which isn’t a surprise but is a bit depressing. 
The Canadian Art Song Project (CASP) has announced that Laurence Jobidon (right) and Jesse Plessis (left) are the inaugural mentees in the Chung-Wai Chow and John Wright Art Song Mentorship Programme for Composers; a new CASP initiative designed to support emerging composers working in the field of Canadian Art Song. They will be working with mentors Luna Pearl Woolf and Jocelyn Morlock, respectively.
Over the course of the next year, Laurence Jobidon will be working with Luna Pearl Woolf on her project that sets the poetry of Blanche Lamontagne; the first French-Canadian woman poet to publish under her own name, while Jesse Plessis will be working with Jocelyn Morlock on a project entitled Time’s Kiss that will interweave texts by Rabindranath Tagore, Anne Carson, and Geneviève Plessis.
I think last night’s virtual conference with Michael Mori and Jaime Martino of Tapestry marks the first real announcement of intention for the 2021/22 season by any Canadian company and it offers insight into what may and may not be possible in the next year to eighteen months. Tapestry adapted quickly and creatively to COVID conditions and so I think their read on the future is important. So here’s my take on what was said.
It’s that time of year again. The IRCPA is looking for young professional singers for their annual Encounter which offers ten singers free coaching, career advice and a concert; Ten Singing Stars – New Generation.. This year’s mentor is Canadian baritone Theodore Baerg. The encounter session will happen on May 21st in downtown Toronto and the concert will be on June 4th or 11th at a location tbd depending on the public health situation prevailing. There’s a link to the application process at 
Pickings are still decidedly slim in terms of locally created on-line content with many postponements due to the current lockdown in Toronto. What I have lined up is as follows:
operaramblings 