Wednesday’s RBA concert was a preview of Opera Atelier’s upcoming production of Purcell’s Dido and Aeneas. Something between a performance of excerpts and a working rehearsal it featured Marshall Pynkoski introducing a series of excerpts for both singers (in rehearsal dress) and dancers (in costume). He provided a good linking narrative situating each excerpt in the context of the work together with some general remarks about the nature and origin of the piece.
We got Meghan Lindsay (Dido) and Mireille Asselin (Belinda) with the opening duet. They wre joined by Colion Ainsworth (Aeneas) for “see, your royal guest appears” followed by the triumphing dance by two members of the OA ballet. There was some serious witchiness from Danielle MacMillan and Cynthia Smithers, more dance and Mireille with “Thanks to these lonesome vales” before a very dramatic account of the final confrontation between the lovers and Dido’s famous lament. Continue reading
In another nod to normality the COC’s free concert series in the Richard Bradshaw Amphitheatre kicked off with the traditional concert with the members of the Ensemble Studio. It was reasonably well attended, which is good news. But unlike previous years one didn’t need to be there an hour early to get a seat. Which is not so good news. I’m really curious to see when and if we start to get back to pre-plague audiences.
operaramblings 