Sunday afternoon saw VOICEBOX:Opera in Concert’s first performance in their new home; Trinity St. Paul’s. The offering was Gluck’s Alceste in the French language 1776 Paris version. Lauren Margison sang the title role with Colin Ainsworth as Admète. Guillermo Silva-Marin directed.
Trinity St. Paul’s has advantages and (perhaps) disadvantages over the Jane Mallett. It’s significantly better acoustically but much harder to do much in the way of staging. It’s a church and it looks like one with lots of carved wood and stained glass! I’m not sure that this is a disadvantage though. Rudimentary blocking with entrances and exits for the principals and concert wear is fine with me given that in either venue full staging wasn’t/isn’t very practical. The value proposition is more around getting to hear operas live that no-one else in Toronto is likely to do. I’m fine with that. Continue reading
Le Tre Soprano is an intriguing album based on the careers of the Three Ladies of Ferrara; three virtuosi who served as Ladies in Waiting to the young Duchess of Ferrara in the late 16th century and became sufficiently renowned as musicians that Tasso wrote poems about them and Monteverdi, Strossi and others wrote music for them.
George is a new CD from soprano Sonya Yoncheva and friends made up of music George Sand would have listened to and some readings fro her works. There’s a particular emphasis on Pauline Viardot; close friend of Sand and sister of Maria Malibran.
operaramblings 