Carmen at the Opéra comique

Bizet’s Carmen premiered at the Opéra Comique in Paris in 1875.  In 2009 it was revived there in a production by Adrian Noble.  That production was filmed for TV and has now been released on disk.  Having watched it I’m asking myself whether it’s an attempt in some way to “recreate” something similar to the 1875 experience.  Alas, there’s nothing in the documentation to help with this question either way but two things intrigued me. The Orchestre Révolutionnaire et Romantique is in the pit which suggests an attempt to get a “period sound”.  Secondly, the spoken dialogue is not the version I’m accustomed to and there’s quite a bit more of it.  Is this, perhaps, the original 1875 dialogue?

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La Monnaie, a python and the Holy Grail

There’s a bit at the end of the first act of Parsifal where Gurnemanz looks at Parsifal and says “you haven’t understood anything have you?” or words to that effect.  Watching Romeo Castellucci’s 2011 production for Brussels’ La Monnaie theatre my sympathy was very much with the Pure Fool.  This is one of the most incomprehensible productions I have seen.  Act 1 is very dark.  Most of the time only a tiny fragment of the stage is lit.  The first thing we see is a snake in its own tiny patch of light.  Then we are in a forest and the Grail Knights appear to be part of the forest.  Whether they are just wearing suits of leaves or are actually plants is unclear.  Kundry, in a white hoodie, and Parsifal in street clothes are recognisably human.  Titurel and his squires wear overalls and hard hats.  One of them carries a chain saw.  The “swan” appears to be a lit up tree branch though later it appears as a very decomposed skeleton.  The Grail Scene is played out with a white curtain, with a small black comma on it, across the entire stage.  The curtain is withdrawn and we see fluorescent lights above the greenery, which takes up much less space than one has so far imagined.  Is Monsalvat a grow-op and the knights marijuana plants?

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