The Lion Heart is a new opera by Corey Arnold and Kyle McDonald. Their aim, as described in an interview on barczablog, was to create an opera that was more accessible to modern audiences than “most modern opera”. I’m not sure how much “modern opera” they have actually seen/heard but what they seem to mean by accessible is a heavily scored neo-Romanticism supporting a through sung vocal line with nothing much in the way of an aria or any way for their singers to display their chops but we’ll come back to that. Continue reading
Author Archives: operaramblings
April shows
Here’s what’s coming up that I know about in April with some adds for the end of March.
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- 26th March 5pm – 7pm. Opera Revue at Castro’s PWYC. Expect a completely Weill performance.
- 27th March 2.30pm. Voicebox are doing Timothy Sullivan’s Florence: The Lady with the Lamp in concert at the St. Lawrence Centre for the Arts. Lauren Pearl sings the title role.
Tapestry Songbook XI
My review of Tapestry Songbook XI is now live at Opera Canada.

The team – photo by Dahlia Katz
Amplified Opera’s shows this week
I am really intrigued by how Amplified Opera’s shows this week at the Museum of Contemporary Art are going to work and so I spoke to both Marion Newman and Topher Mokrzewski about them and what the audience might expect. Despite several hours on the phone I’m still not sure I know and that’s probably a good thing. It’s pretty fluid and experimental and I don’t think we’ll know exactly what we are getting until we get it. I do know that we can expect music and talk and discussion with the audience around the themes being explored in each half of the double header.
Harnoncourt 3 – Così fan tutte
Well it took me a while to get hold of a copy of the third of the Harnoncourt Mozart/da Ponte operas. It is, of course, Così fan tutte and like the previous two operas is semi-staged at the Theater an der Wien. Also like the previous two there’s about an hour documentary which in this case consists almost entirely of rehearsal footage. It’s well worth watching though there is some obvious overlap with the previous two and most of what I would say about it I already did in my review of Le nozze di Figaro which I recommend reading along with this one.

Lots of Beckwith
John Beckwith turned 95 a little while ago and there’s some good celebratory material up on Youtube. Confluence Concerts are rereleasing their three concerts from last year. The first one is here. Plus, Canadian Art Song project have a really lovely film of Krisztinaa Szabó and Steven Philcox performing The Four Short Songs to texts by Kandinsky. The location filming is the work of Jenn Nicholls and Patrick Hagerty and it’s gorgeous. The performance is rather good too.

#weirdopera
Ian Cusson and Colleen Murphy’s Fantasma opened at the Canadian Opera Company Theatre last night. It’s billed as an opera for younger audiences though I think there were more composers than kids in the theatre last night! It’s a ghost story. Two fifteen year old girls and their mother are visiting an old fashioned carnival which is struggling financially. There’s a “ghost” who is employed to scare patrons and generate social media coverage. Then the girls find a real, rather sad, little ghost and things happen. Or maybe they don’t. And the opera ends. Or maybe it doesn’t. It’s surprisingly complex for a 45 minute piece for kids and raises issues about what we see and what we think we see; why adults do and don’t believe kids and so on. When the (virtual) curtain came down rather abruptly I didn’t think I’d be thinking so much about it the next morning. But I am.

Vladimir Soloviev as Dante and Vartan Gabrielian as Tino
Art for Peace
This just in…
TORONTO — Today, Opera InReach announces Art for Peace, a streamed concert in support of individuals impacted by the ongoing crisis in Ukraine. The concert will be streamed on March 15th beginning at 6:30pm EST. All proceeds will be split between the BCU Foundation, the Red Cross, and Dobrodiy Club. Donations are being accepted through the link in the linked PDF.
The concert will feature Ukrainian national music, art song, folk music, and poetry, alongside support from musicians from all genres and styles. Exploring themes of resilience, hope, and justice, Art for Peace aims to raise funds for Ukrainian individuals in need while also demanding peace in Ukraine. Along with Opera InReach, Art for Peace is supported by the Ukrainian Art Song Project, Tapestry Opera, Against the Grain Theatre, and individual artists from around the world.
Art for Peace Press Release containing full details of who is performing etc.
Met live in HD 2022/23
Here’s my quick preview of the recently announced 2022/23 Live in HD series from the Met.
Cherubini – Medea – October 22nd 2022 – A strong start. It’s a new David McVicar production with Sondra Radvanovsky in the title role and a generally strong cast. The combination of McVicar and Radvanovsky in Rusalka was one of the best things I’ve seen in years. Continue reading
Gloria
Brandon Jacobs-Jenkjins’ play Gloria, directed by André Sills is currently playing at Crow’s Theatre. It’s a hard play to describe as spoilers must be avoided and it works at many different levels. The initial setting is the offices of a New York “culture” magazine where we meet various members of the highly dysfunctional workforce. A shocking event happens and the rest of the play explores how various parts of the media industries relate to such events in the internet age along with issues related to who really “owns” an experience and in what sense does that “ownership” validate or privilege their version of events versus any other. One of the ideas here is that the “product” has become in every way secondary. The magazine is little more than a prop for blog posts. Book publishing is largely geared around selling the movie or TV rights. Movie and TV production is largely about providing a package for prefabricated celebrities to feature in. The irony of a print and internet reviewer writing about all this is not lost on me!

athena kaitlin trinh and Nabil Traboulsi